Appayya Dikshita

Appayya Dīkṣita (IAST: Appayya Dīkṣita; 1520–1593 CE) was a prominent South Indian philosopher and scholar associated with the school of Advaita Vedanta and a theologian of Shaivism. While he is widely remembered as an influential preceptor of the Advaita tradition, he was historically rooted in the Śivādvaita (Shaiva Advaita) school as its most prominent representative. A 1580 copper plate inscription attributed to Śivappa Nāyaka of Tañjāvūr describes him as the "sole emperor of Śaiva Advaita" (śaivādvaitaikasāmrājya). He was a highly prolific polymath whose works spanned dozens of treatises on Śaiva and Advaita metaphysics, Mīmāṃsā scriptural hermeneutics, and alaṅkāra poetic theory, while also composing numerous volumes of devotional poetry and a ritual manual for the daily worship of Shiva.

He is best known for his monumental treatise, the Śivārkamaṇi-dīpikā, a sub-commentary on the brahmamīmāṃsā-bhāṣya, itself a Śaiva Brahma Sūtra commentary authored by Śrīkaṇṭha Śivācārya (c. 14th century CE). Lawrence McCrea notes that Appayya retrieved the obscure commentary of Śrīkaṇṭha, which integrated Śaivism with Vedānta through a śiva-viśiṣṭādvaita Vedānta framework, and introduced it to a broad scholarly audience while simultaneously reinterpreting it through his own theology of Śivādvaita. An inscription ascribed to Appayya himself on a wall of the Kālakaṇṭheśvara temple notes that, upon the publication and public teaching of this treatise, his royal patron Cinnabomma of Vellore bathed him in gold and established an endowment for 500 students to commit themselves to its study. In spite of his lifelong Śaiva leanings, he cultivated a scholarly persona independent of any particular school, drawing explicit inspiration from the Śrī Vaiṣṇava theologian Veṅkaṭanātha Vedānta Deśika (1268-1269 CE), whom Appayya admired as a sarvatantra-svatantra, i.e. a scholar capable of manipulating the tenets of any philosophical system to prove or disprove them at will.

Biography

Early life and lineage

Appayya Dīkṣita was born in 1520 to an illustrious family of Śaiva scholars and poets, a pedigree attested in various autobiographical prefaces and contemporary inscriptions. Bronner notes that while he never formally subscribed to any sectarian institution or royal court, he displayed an explicit loyalty and reverence to his own lineage and ancestry. His father was Śrīraṅgarāja Adhvarin (also known as Śrīraṅgarāja Makhin), who is described as a performer of the viśvajit and mahāvrata rites. In one of Appayya's colophons, his father is praised as "the kaustubha gem that emerged from the ocean that is the lineage of the sage Bharadvāja."

In the preface to the Śivārkamaṇi-dīpikā, Appayya attributes to his father a total mastery of all philosophical systems (akhila-darśana-paribhājaḥ). Similarly, he describes his grandfather Ācārya Dīkṣita (also known as Accān Dīkṣita) as an eminent scholar of Advaita and a universal teacher (aśeṣa-guru) whose being was "immersed in the vast ocean of the rapture of non-duality." Furthermore, in his praise-poem to Vishnu titled the Varadarājastava, Appayya notes that his paternal grandmother hailed from a celebrated Śrīvaiṣṇava family, allowing him to claim both Śaiva and Vaiṣṇava scholarly pedigree.

While there is some scholarly debate regarding whether the contemporary Advaita scholar Nṛsiṃha was responsible for his early schooling, the only preceptors Appayya explicitly names are his father and grandfather. He later himself became an influential teacher both at the Kālakaṇṭheśvara temple and in the provincial town of Vellore, at one point being said to have instructed 500 scholars on the Śivārkamaṇi-dīpikā commentary. Much of his personal character and persona also alludes to his having been a pious and deeply devoted worshipper of Shiva.

Imperial politics and patronage

Much of Dīkṣita's intellectual career must be understood against the backdrop of the court politics of the Vijayanagara Empire. The 16th century saw a gradual ascendancy of Vaiṣṇavism over Śaivism, culminating in the removal of the image of Virūpākṣa (the form of Shiva originally established by the founding Vijayanagara rulers in the 14th century), and its replacement with the Vaiṣṇava deity Viṭṭhala, a form of Vishnu. Intellectually, this Vaiṣṇava hegemony was primarily led by the Viśiṣṭādvaita Vedānta school of the Śrīvaiṣṇava sampradāya, alongside the rising Dvaita Vedānta school of the Mādhva sampradāya. The former was represented by Tātācārya, who wielded political influence within the Vijayanagara court, while the latter was represented by Vijayēndra Bhikṣu, a prolific philosopher of the Mādhva tradition. Textual records depict Appayya, Tātācārya, and Vijayēndra as the three leading intellectual rivals of their cultural milieu. Owing to the dominance of Vaiṣṇavism in the imperial capital, Appayya's activities were primarily relegated to local networks and regional chieftains, most notably Cinnabomma Nāyaka of Vellore. He enjoyed the close royal patronage of Cinnabomma for nearly three decades (between 1549–1578), lasting until the chieftain's death. Despite his participation in local activities, it is nonetheless certain that Appayya saw himself and his family as possessing a global reach throughout the subcontinent, which can also be substantiated by his scholarly reception across the subcontinent.

Literary output and philosophical phases

Dīkṣita is credited with authoring roughly 100 original Sanskrit treatises spanning a vast range of genres, subject matter, and authorial intentions. His early career was characterized by polemical tracts designed to assert the supremacy of Shiva over Vishnu. This phase is represented by devotional praises (stotra, stuti) like the Śiva-tattva-viveka and Brahma-tarka-stava, as well as his brief commentarial readings of the Rāmāyaṇa (Rāmāyaṇa-tātparya-sāra-saṅgraha-stotra) and the Mahābhārata (Bhārata-sāra-saṅgraha-stotra). These works argue for Śaiva supremacy primarily through a strategic exegesis of the Purāṇas, Upaniṣads, and epics. Other notable devotional hymns from this period include the Ātmārpaṇa-stuti, Śivamahima-kalikā-stuti, and Pañcatattva-stuti.

Following this early polemical phase, he was commissioned by Cinnabomma to compose his magnum opus, the Śivārkamaṇi-dīpikā. This monumental work is a subcommentary on the Brahmasūtra commentary of Śrīkaṇṭha, which seeks to establish a synthesis between Śaivism and Vedānta by identifying Shiva with the non-dual Brahman of the Upaniṣads and Brahma Sūtras. Concurrently, Appayya authored several objective, standard encyclopedic texts on Advaita Vedanta and other Vedānta schools, such as the Parimala-kalpataru, Siddhānta-leśa-saṅgraha, and Caturmata-sāra-saṅgraha, alongside polemical commentaries explicitly targeting Mādhva Dvaita philosophy, including the Nyāya-rakṣāmaṇi and Mādhva-tarka-mukhamardana. His mature works, such as the Śivādvaita-nirṇaya, demonstrate a shift where he explicitly synthesized his Śaiva theology within an Advaita framework.

Later years and hagiographical accounts

Historical sources for Appayya's personal life are scarce and heavily intertwined with oral history. Early biographical material comes from his immediate descendants, including his nephew Samarapuṅgava Dīkṣita and grand-nephew Nīlakaṇṭha Dīkṣita. A 19th-century descendant, Śivānanda Yogin, authored a highly stylized hagiography titled the Śrīmad-appayyadīkṣitendra-vijaya, which elevates Appayya to an avatar of Shiva.

According to these traditions, Appayya was profoundly affected by the anti-Śaiva polemics in Vedānta Deśika's allegorical play Saṅkalpasūryodaya, prompting a lifelong vow to defend and promote both Advaita and Śaivism. Another story claims that during a deep meditative state (samādhi) in his private shrine room, Appayya's body was seen emitting light and encircled by snakes by his wife when she peered through the door. This sight supposedly led to the loss of her vision.

The lore surrounding him also depicts a series of intense, supernatural confrontations between Appayya and his political and intellectual rival Tātācārya. These legends claim Appayya cured royal illnesses caused by witchcraft, survived assassination attempts by poisoning, and emitted fire from his eyes to repel attackers, ultimately resulting in Tātācārya's sudden demise or subsequent repentance and submission to Appayya. Following his triumph over Tātācārya, Dīkṣita is said to have spent his latter years at the Nataraja temple in Chidambaram, where he died at the age of 73. In the ensuing centuries, his descendants flourished across various royal courts and scholastic networks throughout India, establishing themselves as his intellectual heirs who both preserved and expanded upon his philosophical corpus through commentary, with many descendents going on to author treatises of their own in a variety of genres and disciplines.

Works and scholarship

According to the biography of Vijayendra Bikṣu, a leading Madhva scholar, he composed 104 works in competition with Appayya Dīkṣita. According to Ramesan this suggests that Appayya himself produced a comparable number of works. This oeuvre includes both major treatises and concise compositions, spanning philosophy, theology, and devotion.

Caturmata Sāra

In his work Caturmata Sāra, Appayya Dikshita sought to organize and compare the doctrines of the four major schools interpreting the Brahma Sūtra:

Nyāyamañjarī – Advaita
Nyāyamīmāṃsā – Śaivism (Śrīkaṇṭha's school)
Nyāyayukhamallikā – Viśiṣṭādvaita
Nayamuktavali – Dvaita

His methodical and respectful analysis of these schools earned recognition even among Vaishnava and Madhva scholars, who later adopted his works within their own traditions.[pageneeded]

Advaita philosophy

Sri Appayya Dikshita’s contributions to Advaita Vedanta are both extensive and influential, with several of his writings regarded as essential in the traditional curriculum of Vedantic study. Among these, the Siddhanta Lesa Sangraha, Nyaya Rakshamani, and his celebrated commentary on the Kalpataru are especially significant.

Kalpataruparimala

His most celebrated work in this domain is Parimala, a commentary on Amalananda’s Kalpataru. The acceptance of Parimala by Bengal scholars highlights Appayya’s pan-Indian reputation.

Appayya composed Parimala at the request of Sri Nrisimhasrami, a respected contemporary Advaita scholar. This work earned him the title Advaita Sthapanacharya. Other Vedantic writings by him include Nyaya Rakshamani and Siddhantalesa Samgraha, the latter preserving rare Advaitic teachings imparted by his father and remaining an important source for students of Vedanta.[pageneeded]

The Kalpataruparimala is a detailed and accessible commentary on Kalpataru—itself a profound sub-commentary on the Bhāmatī of Vācaspati Miśra, which in turn expounds the Brahmasūtras of Ādi Śaṅkarācārya. The Kalpataru is renowned for its depth and complexity, often considered too abstruse for most students of Vedānta. Sri Appayya Dikshita’s Parimala serves as a lucid exposition, making this intricate work more approachable and widely studied.

Before composing Parimala, Dikshita is said to have written a commentary on the Śivārkamaṇidīpikā, a Brahmasūtra commentary from the Śaiva Viśiṣṭādvaita standpoint, demonstrating his broad engagement with multiple philosophical traditions. According to tradition, his contemporary, the Advaitic scholar Nṛsiṃhasvāmi, urged him to compose a Brahmasūtra commentary from a purely Advaita perspective, reminding him of his family’s great Advaitic heritage. Accepting this as an obligation, Dikshita began Parimala in a spirit of humble dedication, after invoking the blessings of Lord Parameśvara.

In his own preface, Dikshita explicitly frames the work as an offering rather than an achievement:

When the great secrets of Advaitic doctrine taught to me by my father awaited compilation, and when I had forgotten them all, elders reminded me of my duty. Awakened by them, I accepted the obligation in a spirit of humble dedication and began writing this commentary on the Kalpataru, after praying to Lord Parameśvara for help.

He further acknowledges his modesty in relation to the monumental text he was clarifying:

What can I give to the Kalpataru, the wish-fulfilling tree? I will only accept from it, and then rededicate whatever is given to me. Just as a diver gathers only a handful of gems from the vast ocean, so have I gathered a few meanings from the Kalpataru. May future scholars be satisfied with this small service.

Contemporary poets praised Parimala for its clarity and generosity. Sri Mullandram Balakavi remarked:

“O Appayya Dikshita! How can I describe your generosity? Even the Kalpataru, famous for granting all desires, awaits your pleasure to reveal its true meaning.”

Likewise, Raju Śāstrigaḷ in Dīkṣita Vaṃśābharaṇa recorded a verse comparing Dikshita’s achievement to Lord Krishna’s mythical act of bringing the celestial Kalpataru to earth:

“Lord Krishna brought the Kalpataru from the heavens to satisfy Satyabhāmā. Sri Appayya Dikshita, by writing a commentary upon it, has firmly established it in the world. Yet there is one difference: what Krishna brought was full of doubts, while what Dikshita has given is crystal clear, elucidating the truths of the śāstras beyond question.”

Siddhanta Lesa Sangraha

The Siddhanta Lesa Sangraha is a comprehensive and original treatise in which Sri Appayya Dikshita systematically collects and presents the diverse dialectical positions within the Advaita tradition. Traditionally studied as a preparatory text before engaging with the Brahmasutra commentaries, it remains one of the most widely respected works in Advaita scholarship.[citation needed]

In this text, Dikshita meticulously records the varying interpretations of earlier Advaitins on key philosophical debates, such as:

ekajiva-vada (the theory of the single soul)
nanajiva-vada (the theory of multiple souls)
bimba–pratibimba-vada (the reflection theory)
avichchinna-vada (the theory of indivisibility)
sakshitva-vada (the doctrine of the self as witness)

Although these schools appear divergent, Dikshita emphasizes that they all ultimately converge on the same fundamental insight: the essential oneness of the self (ātman) and the illusory character of the phenomenal world. In his interpretation, the various sub-doctrines serve primarily as intellectual strategies to account for empirical experience, which Advaita regards as a provisional "fiction" rather than ultimate reality.[pageneeded]

Nyaya Rakshamani

The Nyaya Rakshamani is an independent and detailed commentary on the first pada (section) of the Brahmasutras, which deals with the fundamental topics of the self (ātman) and the universe. This work is especially valued for its precision and depth, and it continues to be recognized as one of the most authoritative texts attributed to Sri Appayya Dikshita in the Advaitic tradition.

In Nyaya Rakshamani, Dikshita presents original and rigorous arguments by carefully examining both the pūrvapakṣa (prima facie objections) and the siddhānta (established conclusions) within each adhikaraṇa (topic). His treatment of the debates demonstrates a masterful command of dialectics, as well as a capacity to synthesize opposing viewpoints while firmly grounding them in Advaita Vedanta. The work is often cited by later commentators as an exemplar of intellectual rigor in Vedantic exegesis.[pageneeded]

Shaivite Works

Sri Appayya Dikshita was an extraordinarily prolific scholar, with his vast literary output often inferred from contemporary accounts. For instance, the biography of Sri Vijayendra Bhikshu, a prominent Madhvacharya, records that he composed 104 works in rivalry with Appayya Dikshita—suggesting that Appayya himself authored a comparable number.

His writings span a wide range, from major philosophical treatises such as Parimala and Śivārkamaṇidīpikā, which remain authoritative references in their respective traditions, to shorter devotional hymns like Pañcaratna Stuti and Mārga Bandhu Stuti. Some works are original compositions, while others are commentaries (vyākhyānas), including expositions on his own texts.

Among his most notable contributions are his Śaivite works, composed to uphold and propagate the Śivādvaita doctrine. These include Śikhariṇīmālā (with its commentary) and Śivatattvaviveka, both of which eloquently expound the philosophical and theological supremacy of Lord Śiva. Produced during the Vijayanagara period—a time marked by vigorous polemical exchanges between Vaiṣṇavas and Śaivas—these works served to defend and consolidate the Śaiva philosophical tradition while also enriching its devotional literature.[pageneeded]

Vaiṣṇava Works

Although best known for his contributions to Advaita Vedānta and Śaiva philosophy, Sri Appayya Dikshita also composed works that reflect his engagement with Vaiṣṇavite literature and devotional traditions. His writings in this sphere underscore his broad outlook, which did not recognize any essential doctrinal conflict between the worship of Lord Śiva and Lord Viṣṇu.

Yādavābhyudaya Vyākhyāna – A detailed commentary on the mahākāvya Yādavābhyudaya of Sri Vedānta Deśika, one of the most eminent Vaiṣṇavite ācāryas. This work illustrates Dikshita’s willingness to study, appreciate, and critically engage with texts outside his own immediate philosophical school.
Varadarājastava (and Commentary) – A devotional hymn dedicated to Lord Varadarāja, the presiding deity of Kanchipuram, Appayya Dikshita’s birthplace. Despite his firm Advaitic orientation, Dikshita’s personal devotion to Lord Varadarāja is evident in this work. His ancestors were also traditional devotees of this deity, and the composition, along with its auto-commentary, reflects this enduring familial and regional piety.[pageneeded]

Critique of Dvaita

Among Sri Appayya Dikshita’s polemical writings, two of the most noted are Madhva Tantra Mukha Mardana and Madhva Mata Vidhvaṃsana. These works are devoted to rigorous critiques of the Dvaita Vedānta school established by Sri Madhvacharya.

In these texts, Dikshita employs sharp dialectical reasoning, drawing upon Advaitic principles to refute the dualistic doctrines of Dvaita Vedānta. His method combines subtle logic (tarka) with scriptural exegesis, aimed at exposing what he regarded as inconsistencies within the Madhva system.

Both works circulated widely in northern and southern India, gaining recognition as models of polemical scholarship. In traditional Advaitic seminaries, they were often prescribed as advanced texts for training scholars in dialectical disputation and philosophical refutation. Together, they stand as enduring examples of Dikshita’s intellectual rigor and his commitment to defending Advaita against rival schools.[pageneeded]

Mīmāṃsā Works

Sri Appayya Dikshita also made significant contributions to the field of Pūrva Mīmāṃsā. Among his best-known works are Vidhirasāyana and Sukhopayojinī. These texts contain detailed discussions of the three principal doctrines (vidhis) central to the Mīmāṃsā Śāstra, examining their nature and application with scholarly precision.

Both works became widely studied within traditional circles and were printed and circulated in later times, attesting to their enduring influence. They remain valued by scholars of Mīmāṃsā for their clarity and systematic treatment of complex ritual and interpretative principles.[pageneeded]

In addition to his well-known texts Vidhirasāyana and Sukhopayojinī, Sri Appayya Dikshita composed several other treatises on Mīmāṃsā, further reflecting his deep mastery of the discipline:

Mīmāṃsā Vāda Nakṣatra Mālā – Contained within the Pūrvottara Mīmāṃsā Vāda Nakṣatra Mālā (listed under Vedānta works), this text deals with Mīmāṃsā doctrines and has been printed at Śrīraṅgam.
Upakrama Parākrama – An elaborate discussion on the upakrama-nyāya of Mīmāṃsā as applied to Vedānta. The text underscores the significance of upakrama (introductory statement) and illustrates how it bridges principles shared between Pūrvamīmāṃsā and Uttaramīmāṃsā. This work has also been printed.
Chitrapaṭa – A concise manual on the rules of Mīmāṃsā. It appears that this work has not been printed.
Mayūkhāvalī – A commentary on Śāstra Dīpikā by Parthasārathi Miśra, published at Śrīraṅgam.
Śiva Mahimā Kalikā Stuti – Though primarily a devotional text (already noted among his Śaivite works), it also contains explanations of anuṣṭhānas (ritual observances) and svarūpas of yajñas (sacrifices), elucidating their underlying principles through simple similes. Because of this, it is also considered part of Appayya’s Mīmāṃsā contributions.[pageneeded]

Pūrvottara Mīmāṃsā Vāda Nakṣatra Mālā (also known as Nakṣatra Vādāvalī )

This work is a profound and scholarly dissertation addressing intricate problems arising in the disciplines of Pūrvamīmāṃsā and Uttaramīmāṃsā (Vedānta). Structured in a dialogical format of questions and answers, Sri Appayya Dikshita elucidates fundamental principles and resolves complex philosophical issues situated at the intersection of ritualistic interpretation and metaphysical speculation.

The Nakṣatra Mālā serves as a bridge between the two major divisions of Mīmāṃsā, offering insights that enrich the understanding of both the karmakāṇḍa (ritual portion) and the jñānakāṇḍa (knowledge portion) of the Vedas. It remains a valuable text for scholars exploring the synthesis of Vedic hermeneutics and Vedāntic philosophy.[pageneeded]

Vyākaraṇa Works

Pāṇinīya Tantravāda Nakṣatra Mālā – This text consists of 27 questions (praśnas) on Vyākaraṇa (Sanskrit grammar), with detailed explanations. It is noted in an old Lahore catalogue alongside other printed works. Although it may have been printed at some point, no extant copies are currently available.[pageneeded]

Alaṅkāra (Poetics) Works

Kuvalayānanda – A celebrated and widely studied text on Alaṅkāra Śāstra, with a focus on arthālaṅkāra (meaning-based figures of speech). In this work, Sri Appayya Dikshita carefully analyzed and re-edited the classical treatises on the subject, presenting them in a lucid and engaging manner with apt examples, while also introducing new alaṅkāras of his own. Kuvalayānanda is considered the first standard text for students of poetics and has long served as an authoritative introduction to the discipline.

It is accompanied by two well-known commentaries:

Chandrikā, published by Nirnaya Sagar Press in Bombay.
Rasika Rañjani, published in Kumbhakonam by Sri Hālasynātha Śāstri.[pageneeded]

Rāmānuja Śṛṅga Bhanga and Tattva Mudrā Vidrāvaṇam

Two works traditionally attributed to Sri Appayya Dikshita—Rāmānuja Śṛṅga Bhanga and Tattva Mudrā Vidrāvaṇam—are said to have been composed in refutation of the philosophical doctrines of Sri Ramanuja and the Dvaita school of Madhvacharya.

The title Rāmānuja Śṛṅga Bhanga literally means "Breaking the Horns of Ramanuja," a metaphor frequently employed in classical Indian polemical literature to denote a forceful philosophical rebuttal. Tattva Mudrā Vidrāvaṇam, meanwhile, criticizes the practice of self-branding (taptamudrā dhāraṇa), a religious observance followed by adherents of both Ramanuja and Madhvacharya.

The authenticity of these two works, however, remains uncertain. Though listed in some older catalogues of Appayya Dikshita’s writings, there is insufficient evidence to firmly attribute them to him. Moreover, verse 6 of the Śrī Dīkṣita Nava Ratna Mālikā, a devotional hymn authored by Dikshita himself, appears to suggest that he did not compose any text explicitly directed against Ramanuja’s philosophy.[pageneeded]

Rāmāyaṇa Tatparya Saṅgraha and Bhārata Tatparya Saṅgraha

Sri Appayya Dikshita composed the Rāmāyaṇa Tatparya Saṅgraha and Bhārata Tatparya Saṅgraha, together with their commentaries, as interpretive works on the two great epics, the Rāmāyaṇa and the Mahābhārata. These texts seek to expound the inner meanings of the epics from a Śaivite standpoint, presenting them as primarily propagating the greatness of Lord Śiva.

In these works, Dikshita challenges the prevailing Vaiṣṇava interpretations—particularly the view that the Rāmāyaṇa highlights the doctrine of prapatti (total surrender to God). For example, he interprets Vibhīṣaṇa’s surrender not as an act of spiritual renunciation but as motivated by a desire to reclaim his kingdom. Through such readings, Dikshita advances a Śaiva perspective, offering a counterpoint to the dominant Vaiṣṇava exegesis of the epics.[pageneeded]

Ānandalaharī

Ānandalaharī is considered one of the last works of Sri Appayya Dīkṣita. In this text, his abiding reverence for Ādi Śaṅkarācārya is evident.

In the section *Viṣayasūcikā* (gloss on verse 56), Dīkṣita explains that according to Śaṅkara, even those Śruti passages of the Brahmasūtras which appear to discuss saguṇa brahman (qualified Brahman) ultimately point to the supremacy of nirguṇa brahman (the attributeless Absolute). Saguna Brahman, he clarifies, is to be understood as paraśivātmaka (of the nature of Paraśiva). Thus, while the scriptures may describe Brahman with attributes, their ultimate purport is the attributeless Absolute:

> *“…By the preceding verse (56)—by Śrī Bhagavatpāda Ācārya it has been shown: even the Śruti passages of the Brahma-sūtras have as their purport only Nirguṇa; and the Saguna (qualified) Brahman is paraśivātmaka (of the nature of Paraśiva); and the meaning that ‘the liberated one has the state of Saguna Brahman’ has arisen only as an explanatory sense. But the Ācārya, from the perspective of the Brahma-sūtras’ reconciliation of Saguna Brahman as subordinate, ultimately concludes that Brahman there is Nirguṇa. Therefore, the statement of ‘difference’ is made.”*

A key feature of the Ānandalaharī is Dīkṣita’s emphasis on the essential non-difference between Śiva and Viṣṇu. He explicitly rejects sectarian claims that regard Nārāyaṇa or Viṣṇu as merely a jīva (individual soul). To assert such a view, he argues, would render liberation meaningless and amount to blasphemy against the deity:

> *“…Śrī Nārāyaṇa, being also the Godhead, cannot be spoken of as having the state of a jīva (individual soul). If one asserts otherwise, then even liberation would become meaningless. To say that ‘he is knowable by the Vedas’ and yet to call him a jīva amounts to blasphemy against the deity. The settled conclusion of the Vedas is that Nārāyaṇa is indeed the Supreme Brahman.”*

This text shows that by the time of its composition, Appayya Dīkṣita had already completed his explicitly sectarian works defending Śaivism. In the Ānandalaharī, his focus shifted toward affirming harmony between Śiva and Viṣṇu while remaining firmly rooted in Advaita Vedānta.

Legacy

According to ramesan, he is regarded as a great Advaitic acharya and a central figure in Shaiva worship, ranking among the foremost religious thinkers of the 15th and 16th centuries.[pageneeded] Ramesan further states that Appayya Dikshita is considered [by whom?] one of the three great Dravida acharyas who expounded Advaita:[citation needed]

An unknown early commentator on the Chandogya Upanishad Vivarana
Adi Shankara Bhagavadpada
Sri Appayya Dikshita

According to ramesan, he is also described as part of a Shaiva triad alongside Srikanthacharya and Haradattacharya, who were key exponents of Shaiva philosophy.[pageneeded]

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Duquette, Jonathon (2021). Defending God in Sixteenth-Century India: The Śaiva Oeuvre of Appayya Dīkṣita. Oxford University Press. ISBN978-0197566602.
McCrea, Lawrence (2016). "Appayyadīkṣita's Invention of Śrīkaṇṭha's Vedānta". Journal of Indian Philosophy. 44 (1): 81–94. doi:.
Ramesan, N. (1972). . Hyderabad: Srimad Appayya Dikshitendra Granthavali Prakasana Samithi.
Sivananda, Swami (1941). Lives of Saints. Rishikesh: Divine Life Society.