Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord. Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771). Also other compositions for keyboard, like compositions for lute-harpsichord and fortepiano were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue.

Works for keyboard (BWV 772–994)

Inventions and Sinfonias (772–801)

  • BWV 772 – Invention No. 1 in C major
  • BWV 772a – Invention No. 1 in C major (alternative version of BWV 772)
  • BWV 773 – Invention No. 2 in C minor
  • BWV 774 – Invention No. 3 in D major
  • BWV 775 – Invention No. 4 in D minor
  • BWV 776 – Invention No. 5 in E-flat major
  • BWV 777 – Invention No. 6 in E major
  • BWV 778 – Invention No. 7 in E minor
  • BWV 779 – Invention No. 8 in F major
  • BWV 780 – Invention No. 9 in F minor
  • BWV 781 – Invention No. 10 in G major
  • BWV 782 – Invention No. 11 in G minor
  • BWV 783 – Invention No. 12 in A major
  • BWV 784 – Invention No. 13 in A minor
  • BWV 785 – Invention No. 14 in B-flat major
  • BWV 786 – Invention No. 15 in B minor
  • BWV 787 – Sinfonia No. 1 in C major
  • BWV 788 – Sinfonia No. 2 in C minor
  • BWV 789 – Sinfonia No. 3 in D major
  • BWV 790 – Sinfonia No. 4 in D minor
  • BWV 791 – Sinfonia No. 5 in E-flat major
  • BWV 792 – Sinfonia No. 6 in E major
  • BWV 793 – Sinfonia No. 7 in E minor
  • BWV 794 – Sinfonia No. 8 in F major
  • BWV 795 – Sinfonia No. 9 in F minor
  • BWV 796 – Sinfonia No. 10 in G major
  • BWV 797 – Sinfonia No. 11 in G minor
  • BWV 798 – Sinfonia No. 12 in A major
  • BWV 799 – Sinfonia No. 13 in A minor
  • BWV 800 – Sinfonia No. 14 in B-flat major
  • BWV 801 – Sinfonia No. 15 in B minor

Four Duets from Clavier-Übung III (802–805)

English Suites (806–811)

  • BWV 806 – English Suite No. 1 in A major
  • BWV 807 – English Suite No. 2 in A minor
  • BWV 808 – English Suite No. 3 in G minor
  • BWV 809 – English Suite No. 4 in F major
  • BWV 810 – English Suite No. 5 in E minor
  • BWV 811 – English Suite No. 6 in D minor

French Suites (812–817)

  • BWV 812 – French Suite No. 1 in D minor
  • BWV 813 – French Suite No. 2 in C minor
  • BWV 813a – French Suite No. 2 in C minor (alternative version of movement 5: Menuet)
  • BWV 814 – French Suite No. 3 in B minor
  • BWV 815 – French Suite No. 4 in E-flat major
  • BWV 815a – French Suite No. 4 in E-flat major (alternative versions of several movements)
  • BWV 816 – French Suite No. 5 in G major
  • BWV 817 – French Suite No. 6 in E major

Miscellaneous suites (818–824)

  • BWV 818 – Suite in A minor
  • BWV 818a – Suite in A minor (alternative version of BWV 818)
  • BWV 819 – Suite in E-flat major
  • BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819)
  • BWV 820 – Overture (Suite) in F major
  • BWV 821 – Suite in B-flat major (doubtful)
  • BWV 822 – Suite in G minor, ⓘ
  • BWV 823 – Suite in F minor
  • BWV 824 – Suite in A major (spurious, composed by Georg Philipp Telemann, TWV 32:14)

Clavier-Übung I : Partitas for keyboard (825–830)

Clavier-Übung I, six Partitas for keyboard:

  1. BWV 825 – Partita in B-flat major
  2. BWV 826 – Partita in C minor
  3. BWV 827 – Partita in A minor
  4. BWV 828 – Partita in D major
  5. BWV 829 – Partita in G major
  6. BWV 830 – Partita in E minor

French Overture, from Clavier-Übung II (831)

Suites and suite movements (832–845)

  • BWV 832 – Suite in A major
  • BWV 833 – Prelude and Partita in F major
  • BWV 834 – Allemande in C minor (doubtful)
  • BWV 835 – Allemande in A minor (spurious, possibly by Johann Philipp Kirnberger)
  • BWV 836 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)
  • BWV 837 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)
  • BWV 838 – Allemande and Courante in A major (spurious, possibly by Christoph Graupner, GWV 849)
  • BWV 839 – Sarabande in G minor (doubtful)
  • BWV 840 – Courante in G major (spurious, after the 2nd movement of Telemann's Ouverture in G major, TWV 32:13)
  • BWV 841 – Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach)
  • BWV 842 – Minuet in G minor
  • BWV 843 – Minuet in G major
  • BWV 844 – Scherzo in D minor (doubtful)
  • BWV 844a – Scherzo in D minor (alternative version of BWV 844, doubtful)
  • BWV 845 – Gigue in F minor (doubtful)

The Well-Tempered Clavier (846–893)

The Well-Tempered Clavier, Book I:

  1. BWV 846 – Prelude and Fugue in C major BWV 846a – Prelude in C major (alternative version of BWV 846, only Prelude)
  2. BWV 847 – Prelude and Fugue in C minor BWV 847a – Prelude in C minor (alternative version of BWV 847, only Prelude)
  3. BWV 848 – Prelude and Fugue in C-sharp major
  4. BWV 849 – Prelude and Fugue in C-sharp minor
  5. BWV 850 – Prelude and Fugue in D major BWV 850a – Prelude in D major (alternative version of BWV 850, only Prelude)
  6. BWV 851 – Prelude and Fugue in D minor BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude)
  7. BWV 852 – Prelude and Fugue in E-flat major
  8. BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor)
  9. BWV 854 – Prelude and Fugue in E major
  10. BWV 855 – Prelude and Fugue in E minor BWV 855a – Prelude in E minor (early version of the prelude of BWV 855), and Fughetta
  11. BWV 856 – Prelude and Fugue in F major
  12. BWV 857 – Prelude and Fugue in F minor
  13. BWV 858 – Prelude and Fugue in F-sharp major
  14. BWV 859 – Prelude and Fugue in F-sharp minor
  15. BWV 860 – Prelude and Fugue in G major
  16. BWV 861 – Prelude and Fugue in G minor
  17. BWV 862 – Prelude and Fugue in A-flat major
  18. BWV 863 – Prelude and Fugue in G-sharp minor
  19. BWV 864 – Prelude and Fugue in A major
  20. BWV 865 – Prelude and Fugue in A minor
  21. BWV 866 – Prelude and Fugue in B-flat major
  22. BWV 867 – Prelude and Fugue in B-flat minor
  23. BWV 868 – Prelude and Fugue in B major
  24. BWV 869 – Prelude and Fugue in B minor

The Well-Tempered Clavier, Book II:

  1. BWV 870 – Prelude and Fugue in C major BWV 870a – Prelude and Fugue in C major (alternative version of BWV 870) BWV 870b – Prelude in C major (alternative version of BWV 870)
  2. BWV 871 – Prelude and Fugue in C minor
  3. BWV 872 – Prelude and Fugue in C-sharp major BWV 872a – Prelude and Fugue in C-sharp major (alternative version of BWV 872)
  4. BWV 873 – Prelude and Fugue in C-sharp minor
  5. BWV 874 – Prelude and Fugue in D major
  6. BWV 875 – Prelude and Fugue in D minor BWV 875a – Prelude in D minor (alternative version of BWV 875)
  7. BWV 876 – Prelude and Fugue in E-flat major
  8. BWV 877 – Prelude and Fugue in D-sharp minor
  9. BWV 878 – Prelude and Fugue in E major
  10. BWV 879 – Prelude and Fugue in E minor
  11. BWV 880 – Prelude and Fugue in F major
  12. BWV 881 – Prelude and Fugue in F minor
  13. BWV 882 – Prelude and Fugue in F-sharp major
  14. BWV 883 – Prelude and Fugue in F-sharp minor
  15. BWV 884 – Prelude and Fugue in G major
  16. BWV 885 – Prelude and Fugue in G minor
  17. BWV 886 – Prelude and Fugue in A-flat major
  18. BWV 887 – Prelude and Fugue in G-sharp minor
  19. BWV 888 – Prelude and Fugue in A major
  20. BWV 889 – Prelude and Fugue in A minor
  21. BWV 890 – Prelude and Fugue in B-flat major
  22. BWV 891 – Prelude and Fugue in B-flat minor
  23. BWV 892 – Prelude and Fugue in B major
  24. BWV 893 – Prelude and Fugue in B minor

Preludes and fugues , toccatas and fantasias (894–923)

  • BWV 894 – Prelude and Fugue in A minor
  • BWV 895 – Prelude and Fugue in A minor
  • BWV 896 – Prelude and Fugue in A major
  • BWV 897 – Prelude and Fugue in A minor (doubtful; prelude possibly by Cornelius Heinrich Dretzel, fugue possibly by Wilhelm Friedemann Bach)
  • BWV 898 – Prelude and Fugue in B-flat major on the name B-A-C-H (doubtful)
  • BWV 899 – Prelude and Fughetta in D minor
  • BWV 900 – Prelude and Fughetta in E minor
  • BWV 901 – Prelude and Fughetta in F major
  • BWV 902 – Prelude and Fughetta in G major
  • BWV 902a – Prelude in G major (alternative version of BWV 902)
  • BWV 903 – Chromatic Fantasia and Fugue in D minor
  • BWV 903a – Chromatic Fantasia in D minor (alternative version of BWV 903)
  • BWV 904 – Fantasia and Fugue in A minor
  • BWV 905 – Fantasia and Fugue in D minor (doubtful)
  • BWV 906 – Fantasia and Fugue in C minor (fugue unfinished)
  • BWV 907 – Fantasia and Fughetta in B-flat major (doubtful)
  • BWV 908 – Fantasia and Fughetta in D major (doubtful)
  • BWV 909 – Concerto and Fugue in C minor (doubtful)
  • BWV 910 – Toccata in F-sharp minor
  • BWV 911 – Toccata in C minor
  • BWV 912 – Toccata in D major
  • BWV 913 – Toccata in D minor
  • BWV 914 – Toccata in E minor
  • BWV 915 – Toccata in G minor
  • BWV 916 – Toccata in G major
  • BWV 917 – Fantasia in G minor
  • BWV 918 – Fantasia in C minor
  • BWV 919 – Fantasia in C minor (doubtful, possibly by Johann Bernhard Bach)
  • BWV 920 – Fantasia in G minor (doubtful)
  • BWV 921 – Prelude in C minor
  • BWV 922 – Prelude (Fantasia) in A minor
  • BWV 923 – Prelude in B minor (possibly by Wilhelm Hieronymus Pachelbel)
  • BWV 923a – Prelude (Toccatina No.3; variant of BWV 923; doubtful)

Nine Little Preludes from Wilhelm Friedemann Bach's Klavierbüchlein (924–932)

Indicated as "Neun kleine Präludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach" (nine little preludes from the keyboard-booklet for Wilhelm Friedemann Bach) in the Bach-Werke Verzeichnis:

  1. BWV 924 – Prelude in C major (Klavierbüchlein No. 2: "Praeambulum") BWV 924a – Prelude in C major (Klavierbüchlein No. 26: "Preludium ex c♮"; variant version of BWV 924 probably by W.F. Bach, BR‑WFB A 44)
  2. BWV 925 – Prelude in D major (Klavierbüchlein No. 27: "Praeludium ex d♮"; possibly by W.F. Bach, BR‑WFB A 45)
  3. BWV 926 – Prelude in D minor (Klavierbüchlein No. 4: "Praeludium")
  4. BWV 927 – Prelude in F major (Klavierbüchlein No. 8: "Praeambulum")
  5. BWV 928 – Prelude in F major (Klavierbüchlein No. 10: "Praeludium")
  6. BWV 929 – Prelude in G minor (Klavierbüchlein No. 48e: Trio for a Minuet by Gottfried Heinrich Stölzel)
  7. BWV 930 – Prelude in G minor (Klavierbüchlein No. 9: "Praeambulum")
  8. BWV 931 – Prelude in A minor (Klavierbüchlein No. 29: "Praeludium"; possibly by W.F. Bach, BR‑WFB A 47)
  9. BWV 932 – Prelude in E minor (incomplete; Klavierbüchlein No. 28: "Praeludium ex e♭"; possibly by W.F. Bach, BR‑WFB A 46)

Six Little Preludes (933–938)

An 18th-century set of short preludes by Johann Sebastian Bach:

  1. BWV 933 – Little Prelude in C major
  2. BWV 934 – Little Prelude in C minor
  3. BWV 935 – Little Prelude in D minor
  4. BWV 936 – Little Prelude in D major
  5. BWV 937 – Little Prelude in E major
  6. BWV 938 – Little Prelude in E minor

Five Little Preludes (939–943)

Five short preludes found in the manuscript P 804 (collection of Johann Peter Kellner):

  1. BWV 939 – Prelude in C major
  2. BWV 940 – Prelude in D minor
  3. BWV 941 – Prelude in E minor
  4. BWV 942 – Prelude in A minor
  5. BWV 943 – Prelude in C major

Fugues and fughettas (944–962)

  • BWV 944 – Fantasia and Fugue in A minor
  • BWV 945 – Fugue in E minor (doubtful, possibly by Christoph Graupner)
  • BWV 946 – Fugue in C major
  • BWV 947 – Fugue in A minor
  • BWV 948 – Fugue in D minor
  • BWV 949 – Fugue in A major
  • BWV 950 – Fugue in A major on a theme by Tomaso Albinoni
  • BWV 951 – Fugue in B minor on a theme by Tomaso Albinoni
  • BWV 951a – Fugue in B minor (alternative version of BWV 951)
  • BWV 952 – Fugue in C major
  • BWV 953 – Fugue in C major
  • BWV 954 – Fugue in B-flat major on a theme by Johann Adam Reincken
  • BWV 955 – Fugue in B-flat major
  • BWV 956 – Fugue in E minor (doubtful)
  • BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in Gmajor)
  • BWV 958 – Fugue in A minor (doubtful)
  • BWV 959 – Fugue in A minor
  • BWV 960 – Fugue in E minor (incomplete and doubtful)
  • BWV 961 – Fughetta in C minor
  • BWV 962 – Fughetta in E minor (spurious, composed by Johann Georg Albrechtsberger)

Sonatas and sonata movements (963–970)

  • BWV 963 – Sonata in D major
  • BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003 – doubtful)
  • BWV 965 – Sonata in A minor (after Johann Adam Reincken's Hortus Musicus, Nos. 1–5)
  • BWV 966 – Sonata in C major (after Johann Adam Reincken's Hortus Musicus, Nos. 11–15)
  • BWV 967 – Sonata in A minor (one movement only, arrangement of a chamber sonata by unknown composer)
  • BWV 968 – Adagio in G major (after movement 1 of Sonata No. 3 for solo violin, BWV 1005 – doubtful)
  • BWV 969 – Andante in G minor (doubtful)
  • BWV 970 – Presto in D minor (spurious, composed by Wilhelm Friedemann Bach)

Italian Concerto, from Clavier-Übung II (971)

Keyboard arrangements of concerti by other composers (972–987)

  • BWV 972 – Concerto in D major (arrangement of Antonio Vivaldi's Concerto Op. 3/9, RV230)
  • BWV 973 – Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 7/8, RV299)
  • BWV 974 – Concerto in D minor (arrangement of Alessandro Marcello's Oboe Concerto in D minor)
  • BWV 975 – Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6, RV316a)
  • BWV 976 – Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12, RV265)
  • BWV 977 – Concerto in C major (source unknown, possibly a concerto by Benedetto Marcello)
  • BWV 978 – Concerto in F major (arrangement of Antonio Vivaldi's Concerto Op. 3/3, RV310)
  • BWV 979 – Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10, now RV 813)
  • BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's Violin Concerto in B-flat Major, RV 381)
  • BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2)
  • BWV 982 – Concerto in B-flat major (arrangement of Prince Johann Ernst of Saxe-Weimar's concerto Op. 1/1)
  • BWV 983 – Concerto in G minor (source unknown)
  • BWV 984 – Concerto in C major (arrangement of a Prince Johann Ernst concerto) (see BWV 595 for organ version)
  • BWV 985 – Concerto in G minor (arrangement of a Georg Philipp Telemann violin concerto)
  • BWV 986 – Concerto in G major (arrangement of a concerto attributed to Georg Philipp Telemann)
  • BWV 987 – Concerto in D minor (arrangement of Prince Johann Ernst's concerto Op. 1/4)

Variations and miscellaneous pieces for keyboard (988–994)

Works for solo lute (BWV 995–1000)

Works for keyboard and lute in the eighth and ninth chapters of the Bach-Werke-Verzeichnis (1998)

Legend to the table
columncontent
01BWVBach-Werke-Verzeichnis (lit.'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: preceded by I: in Anh.I (lost works) of BWV1 (1950 first edition of the BWV) preceded by II: in Anh.II (doubtful works) of BWV1 preceded by III: in Anh.III (spurious works) of BWV1 preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
022aSection in which the composition appears in BWV2a: Chapters of the main catalogue indicated by Arabic numerals (1-13) Anh. sections indicated by Roman numerals (I–III) Reconstructions published in the NBE indicated by "R"
03DateDate associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04NameName of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05KeyKey of the composition
06ScoringSee scoring table below for the abbreviations used in this column
07BGBach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.
08NBENew Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre: Cantatas (Vol.1–34: church cantatas grouped by occasion; Vol.35–40: secular cantatas; Vol.41: Varia)Masses, Passions, Oratorios (12 volumes)Motets, Chorales, Lieder (4 volumes)Organ Works (11 volumes)Keyboard and Lute Works (14 volumes)Chamber Music (5 volumes)Orchestral Works (7 volumes)Canons, Musical Offering, Art of Fugue (3 volumes)Addenda (approximately 7 volumes)
09Additional infomay include: "after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition "pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV "text" – by text author, or, in source Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
10BDBach Digital Work page
Legend for abbreviations in "Scoring" column
Voices (see also SATB)
aAbBsStTvV
alto (solo part)alto (choir part)bass (solo part)bass (choir part)soprano (solo part)soprano (choir part)tenor (solo part)tenor (choir part)voice (includes parts for unspecified voices or instruments as in some canons)vocal music for unspecified voice type
Winds and battery (bold = soloist)
BasBelCntFlHnObObaOdcTaiTbnTdtTmpTr
bassoon (can be part of Bc, see below)bell(s) (musical bells)cornett, cornettinoflute (traverso, flauto dolce, piccolo, flauto basso)natural horn, corno da caccia, corno da tirarsi, lituooboeoboe d'amoreoboe da cacciatailletrombonetromba da tirarsitimpanitromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
BcHcKbLuLwOrgStrVaVcVdgVlVne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Luharpsichordkeyboard (Hc, Lw, Org or clavichord)lute, theorboLautenwerck (lute-harpsichord)organ (/man. = manualiter, without pedals)strings: VlI, VlII and Vaviola(s), viola d'amore, violettavioloncello, violoncello piccoloviola da gambaviolin(s), violino piccoloviolone, violone grosso
Background colours
ColourMeaning
greenextant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellowextant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J.Christoph), wife (A.M.), son (W.F. / C.P.E. / J.C.F. / J.Christian) or son-in-law (Altnickol)
orange-brownextant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member
Keyboard and lute works in Chapters 8 and 9 of BWV2a
BWV2aDateNameKeyScoringBGNBEAdditional infoBD
8.Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach)Up ↑
7728.1720-01-22 1725-01-22Inventions and Sinfonias No.1 – Invention No.1 = WFB No.32: Preamb.1Cmaj.Keyboard3: 1 451:221V/5: 48 V/3: 2→ BWV 772a
772a8.1720-01-22 1725-01-22Inventions and Sinfonias No.1a – Invention No.1aCmaj.Keyboard3:342V/3: 4after BWV 772
7738.1720-01-22 1725-01-22Inventions and Sinfonias No.2 – Invention No.2 = WFB No.46: Preamb.15Cmin.Keyboard3: 2 451:223V/5: 76 V/3: 6
7748.1720-01-22 1725-01-22Inventions and Sinfonias No.3 – Invention No.3 = WFB No.45: Preamb.14Dmaj.Keyboard3: 3 451: 223V/5: 74 V/3: 8
7758.1720-01-22 1725-01-22Inventions and Sinfonias No.4 – Invention No.4 = WFB No.33: Preamb.2Dmin.Keyboard3: 4 451: 221V/5: 50 V/3: 10
7768.1720-01-22 1725-01-22Inventions and Sinfonias No.5 – Invention No.5 = WFB No.44: Preamb.13E♭maj.Keyboard3: 6 451: 222V/5: 72 V/3: 12
7778.1720-01-22 1725-01-22Inventions and Sinfonias No.6 – Invention No.6 = WFB No.43: Preamb.12Emaj.Keyboard3: 7 451: 222V/5: 70 V/3: 14
7788.1720-01-22 1725-01-22Inventions and Sinfonias No.7 – Invention No.7 = WFB No.34: Preamb.3Emin.Keyboard3: 9 451: 221V/5: 52 V/3: 16
7798.1720-01-22 1725-01-22Inventions and Sinfonias No.8 – Invention No.8 = WFB No.35: Preamb.4Fmaj.Keyboard3: 10 451: 221V/5: 54 V/3: 18
7808.1720-01-22 1725-01-22Inventions and Sinfonias No.9 – Invention No.9 = WFB No.42: Preamb.11Fmin.Keyboard3: 11 451: 222V/5: 68 V/3: 20
7818.1720-01-22 1725-01-22Inventions and Sinfonias No.10 – Invention No.10 = WFB No.36: Preamb.5Gmaj.Keyboard3: 12 451: 221V/5: 56 V/3: 22
7828.1720-01-22 1725-01-22Inventions and Sinfonias No.11 – Invention No.11 = WFB No.41: Preamb.10Gmin.Keyboard3: 13 451: 222V/5: 66 V/3: 24
7838.1720-01-22 1725-01-22Inventions and Sinfonias No.12 – Invention No.12 = WFB No.40: Preamb.9Amaj.Keyboard3: 14 451: 222V/5: 64 V/3: 26
7848.1720-01-22 1725-01-22Inventions and Sinfonias No.13 – Invention No.13 = WFB No.37: Preamb.6Amin.Keyboard3: 15 451: 221V/5: 58 V/3: 28
7858.1720-01-22 1725-01-22Inventions and Sinfonias No.14 – Invention No.14 = WFB No.39: Preamb.8B♭maj.Keyboard3: 16 451: 222V/5: 62 V/3: 30
7868.1720-01-22 1725-01-22Inventions and Sinfonias No.15 – Invention No.15 = WFB No.38: Preamb.7Bmin.Keyboard3: 18 451: 222V/5: 60 V/3: 32
7878.1720-01-22 1725-01-22Sinfonias and Inventions No.16 – Sinfonia No.1 = WFB No.49: Fantasia1Cmaj.Keyboard3: 19 451: 227V/5: 90 V/3: 34
7888.1720-01-22 1725-01-22Sinfonias and Inventions No.17 – Sinfonia No.2 = WFB No.63: Fantasia15Cmin.Keyboard3: 20 451: 231V/5: 118 V/3: 36
7898.1720-01-22 1725-01-22Sinfonias and Inventions No.18 – Sinfonia No.3 = WFB No.62: Fantasia14Dmaj.Keyboard3: 22 451: 230V/5: 116 V/3: 38
7908.1720-01-22 1725-01-22Sinfonias and Inventions No.19 – Sinfonia No.4 = WFB No.50: Fantasia2Dmin.Keyboard3: 23 451: 227V/5: 92 V/3: 40
7918.1720-01-22 1725-01-22Sinfonias and Inventions No.20 – Sinfonia No.5 = WFB No.61: Fantasia13E♭maj.Keyboard3: 24 451: 230V/5: 114 V/3: 42→ BWV 791a
791a8.1723Sinfonias and Inventions No.20a – Sinfonia No.5aE♭maj.KeyboardV/3: 44, 80after BWV 791
7928.1720-01-22 1725-01-22Sinfonias and Inventions No.21 – Sinfonia No.6 = WFB No.60: Fantasia12Emaj.Keyboard3: 26 451: 229V/5: 112 V/3: 46
7938.1720-01-22 1725-01-22Sinfonias and Inventions No.22 – Sinfonia No.7 = WFB No.51: Fantasia3Emin.Keyboard3: 28 451: 227V/5: 94 V/3: 48
7948.1720-01-22 1725-01-22Sinfonias and Inventions No.23 – Sinfonia No.8 = WFB No.52: Fantasia4Fmaj.Keyboard3: 29 451: 227V/5: 96 V/3: 50
7958.1720-01-22 1725-01-22Sinfonias and Inventions No.24 – Sinfonia No.9 = WFB No.59: Fantasia11Fmin.Keyboard3: 30 451: 229V/5: 110 V/3: 52
7968.1720-01-22 1725-01-22Sinfonias and Inventions No.25 – Sinfonia No.10 = WFB No.53: Fantasia5Gmaj.Keyboard3: 32 451: 228V/5: 98 V/3: 54
7978.1720-01-22 1725-01-22Sinfonias and Inventions No.26 – Sinfonia No.11 = WFB No.58: Fantasia10Gmin.Keyboard3: 34 451: 229V/5: 108 V/3: 56
7988.1720-01-22 1725-01-22Sinfonias and Inventions No.27 – Sinfonia No.12 = WFB No.57: Fantasia9Amaj.Keyboard3: 36 451: 229V/5: 106 V/3: 58
7998.1720-01-22 1725-01-22Sinfonias and Inventions No.28 – Sinfonia No.13 = WFB No.54: Fantasia6Amin.Keyboard3: 38 451: 228V/5: 100 V/3: 60
8008.1720-01-22 1725-01-22Sinfonias and Inventions No.29 – Sinfonia No.14 = WFB No.56: Fantasia8B♭maj.Keyboard3: 40 451: 228V/5: 104 V/3: 62
8018.1720-01-22 1725-01-22Sinfonias and Inventions No.30 – Sinfonia No.15 = WFB No.55: Fantasia7Bmin.Keyboard3: 41 451: 228V/5: 102 V/3: 64
8028.1739Duet No. 1 from Clavier-Übung IIIEmin.Organ3: 242IV/4: 92
8038.1739Duet No. 2 from Clavier-Übung IIIFmaj.Organ3: 245IV/4: 96
8048.1739Duet No. 3 from Clavier-Übung IIIGmaj.Organ3: 248IV/4: 99
8058.1739Duet No. 4 from Clavier-Übung IIIAmin.Organ3: 251IV/4: 102
8068.1714–1723English Suites, No.1Amaj.Keyboard451:3 132:3V/7: 2
806a8.1714–1717English Suites, No.1aAmaj.KeyboardV/7: 116
8078.1725 orearlierEnglish Suites, No.2Amin.Keyboard451:16 132:16V/7: 20
8088.1725 orearlierEnglish Suites, No.3Gmin.Keyboard451:30 132:30V/7: 38
8098.1725 orearlierEnglish Suites, No.4Fmaj.Keyboard451:41 132:41V/7: 54
8108.1725 orearlierEnglish Suites, No.5Emin.Keyboard451:53 132:53V/7: 70
8118.1725 orearlierEnglish Suites, No.6Dmin.Keyboard451:68 132:68V/7: 90
8128.1722 orearlierNotebook A.M. Bach (1722) No.1 – French Suites, No.1Dmin.Keyboard432:VIV/4: 3
Notebook A. M. Bach (1725) No.30 – French Suites, No.1432: 40V/4: 109
French Suites, No.1 – VersionA (Altnickol)451:89 132:89V/8: 2
French Suites, No.1 – VersionB (early version)V/8: 64
8138.c.1722–1725Notebook A. M. Bach (1722) No.2 – French Suites, No.2Cmin.Keyboard432:VIV/4: 10, 42
Notebook A. M. Bach (1725) No.31 – French Suites, No.2432: 44V/4: 116
French Suites, No.2 – VersionA (Altnickol)451:94 132:94V/8: 10
French Suites, No.2 – VersionB (early version)V/8: 72
36:236
8148.c.1722–1725Notebook A. M. Bach (1722) No.3 – French Suites, No.3Bmin.Keyboard432:VIIV/4: 16, 43→ BWV 814a
French Suites, No.3 – VersionA (Altnickol)451:100 132:100V/8: 20
French Suites, No.3 – VersionB (early version)V/8: 82
814a8.c.1720–1739French Suites, No.3 – VariantBmin.Keyboard451:100 36:237 132:100V/8: 166after BWV 814/1–/5, 929, 814/7
8158.c.1722–1725Notebook A. M. Bach (1722) No.4 French Suites, No.4E♭maj.Keyboard432:VIIV/4: 23→ BWV 815a
French Suites, No.4 – VersionA (Altnickol)451:106 132:106V/8: 30
French Suites, No.4 – VersionB (early version)V/8: 92
36:236
815a8.c.1722–1725 or laterFrench Suites, No.4 – VariantE♭maj.Keyboard36:234 451:106 132:108V/8: 176after BWV 815/1–/5
8168.c.1724–1725Notebook A. M. Bach (1722) No.5 French Suites, No.5Gmaj.Keyboard432:VIIV/4: 30
French Suites, No.5 – VersionA (Altnickol)451:112 132:112V/8: 40
French Suites, No.5 – VersionB (early version)V/8: 102
8178.c.1725 orlaterFrench Suites, No.6 – VersionA (Altnickol)Emaj.Keyboard451:120 132:120V/8: 52
French Suites, No.6 – VersionB (early version)V/8: 114
8188.1720–1722Suite for keyboard (early version)Amin.Keyboard36: 3V/8: 129
818a8.after 1721Suite for keyboard (later version)Amin.Keyboard36: 213V/8: 146
8198.before 1726Suite for keyboard (early version)E♭maj.Keyboard36: 8V/8: 136
819a8.1725–1728Suite for keyboard (later version)E♭maj.Keyboard36: 217V/8: 156
8208.1705–1713Suite (Ouverture) for keyboardFmaj.Keyboard36: 14V/10: 43
8228.Suite for keyboardGmin.KeyboardV/10: 68after unknown model?
8238.before 1727Suite for keyboardFmin.Keyboard36: 229V/10: 50
8258.1725–1726Partita No.1 from Clavier-Übung IB♭maj.Keyboard3: 46V/1: 2
8268.1725–1727Partita No.2 from Clavier-Übung ICmin.Keyboard3: 56V/1: 15
8278.1725–1727Notebook A. M. Bach (1725) No.1 = Partita No.3 from Clavier-Übung IAmin.Keyboard3: 70V/1: 35 V/4: 47
8288.1725–1728Partita No.4 from Clavier-Übung IDmaj.Keyboard3: 82V/1: 50
8298.1725–1730Partita No.5 from Clavier-Übung IGmaj.Keyboard3: 102V/1: 72
8308.1725–1730Notebook A. M. Bach (1725) No.2 = Partita No.6 from Clavier-Übung IEmin.Keyboard3: 116V/1: 90 V/4: 60after BWV 1019a/3 /5
8318.1733–1735Overture in the French style (Clavier-Übung II No. 2)Bmin.Harpsichord3: 154V/2: 20after BWV 831a
831a8.1727–1733Overture in the French style (early version)Cmin.KeyboardV/2: 43→ BWV 831
8328.before 1707Suite for keyboardAmaj.Keyboard42: 255V/10: 54in Möllersche Handschrift
8338.before 1707Prelude and partita for keyboardFmaj.KeyboardV/10: 60in Möllersche Handschrift
8368.1720–1721Allemande, Klavierbüchlein WFB No.6Gmin.Keyboard451: 214V/5: 8by Bach, W.F. & J.S.?
8378.1720–1721Allemande, Klavierbüchlein WFB No.7 (incomplete)Gmin.Keyboard451: 215V/5: 10by Bach, W.F. & J.S.?
8418.1720–1721Notebook A. M. Bach (1722) No.11 Menuet = WFB No.11: Menuet1Gmaj.Keyboard36: 209 451: 215V/5: 16 V/4: 44by Bach, W.F. & J.S.?
8428.1720–1721Klavierbüchlein WFB No. 12: Menuet 2Gmin.Keyboard36: 209 451: 216V/5: 17by Bach, W.F. (BRA43) & J.S.?
8438.1720–1721Klavierbüchlein WFB No. 13: Menuet 3Gmaj.Keyboard36: 210 451: 216V/5: 18
8468.1722Well-Tempered Clavier I, P. & F. No.1Cmaj.Keyboard14: 3V/6.1: 2after BWV 846a
846/18.1725 (AMB)Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1)Cmaj.KeyboardV/4: 107
846a8.1720Klavierbüchlein WFB No. 14: Praeludium1 (early WTCI No.1/1)Cmaj.Keyboard451: 216V/5: 19 V/6.1:127→ BWV 846/1
8478.1722Well-Tempered Clavier I, P. & F. No.2 (/1 = WFB No.15: Praeludium2)Cmin.Keyboard14: 6 451: 216V/5: 20 V/6.1: 2after BWV 847a
847a8.Prelude and Fughetta (early WTCI No.2)Cmin.KeyboardV/6.1:130→ BWV 847
8488.1722Well-Tempered Clavier I, P. & F. No.3 (/1 = WFB No. 21: Praeludium [8])C♯maj.Keyboard14: 10 451: 218V/5: 30 V/6.1: 2after BWV 848a
848a8.Prelude and Fughetta (early WTCI No.3)C♯maj.KeyboardV/6.1:134→ BWV 848
8498.1722Well-Tempered Clavier I, P. & F. No.4 (/1 = WFB No. 22: Praeludium [9])C♯min.Keyboard14: 14 451: 218V/5: 32 V/6.1: 2after BWV 849a
849a8.Prelude and Fughetta (early WTCI No.4)C♯min.KeyboardV/6.1:140→ BWV 849
8508.1722Well-Tempered Clavier I, P. & F. No.5 (/1 = WFB No. 17: Praeludium 4)Dmaj.Keyboard14: 18 451: 217V/5: 23 V/6.1: 2after BWV 850a
850a8.Prelude and Fughetta (early WTCI No.5)Dmaj.KeyboardV/6.1:146→ BWV 850
8518.1722Well-Tempered Clavier I, P. & F. No.6 (/1 = WFB No. 16: Praeludium 3)Dmin.Keyboard14: 22 451: 217V/5: 22 V/6.1: 2after BWV 851a
851a8.Prelude and Fughetta (early WTCI No.6)Dmin.KeyboardV/6.1:150→ BWV 851
8528.1722Well-Tempered Clavier I, P. & F. No.7E♭maj.Keyboard14: 26V/6.1: 32after BWV 852a
852a8.Prelude and Fughetta (early WTCI No.7)E♭maj.KeyboardV/6.1:154→ BWV 852
8538.1722Well-Tempered Clavier I, P. & F. No.8 (/1 = WFB No. 23: Praeludium [10])E♭min. D♯min.Keyboard14: 32 451: 218V/5: 34 V/6.1: 38after BWV 853a; → K. 404a/1
853a8.Prelude and Fughetta (early WTCI No.8)E♭min. D♯min.KeyboardV/6.1:160→ BWV 853
8548.1722Well-Tempered Clavier I, P. & F. No.9 (/1 = WFB No. 19: Praeludium 6)Emaj.Keyboard14: 36 451: 218V/5: 26 V/6.1: 44after BWV 854a
854a8.Prelude and Fughetta (early WTCI No.9)Emaj.KeyboardV/6.1:166→ BWV 854
8558.1722Well-Tempered Clavier I, P. & F. No.10Emin.Keyboard14: 38V/6.1: 48after BWV 855a
855a8.c.1720Prelude and Fughetta (early WTC I No.10) (/1 = WFB No. 18: Praeludium 5)Emin.Keyboard451: 217V/5: 24 V/6.1:170→ BWV 855
8568.1722Well-Tempered Clavier I, P. & F. No.11 (/1 = WFB No. 20: Praeludium 7)Fmaj.Keyboard14: 42 451: 218V/5: 28 V/6.1: 54after BWV 856a
856a8.Prelude and Fughetta (early WTC I No. 11)Fmaj.KeyboardV/6.1:174→ BWV 856
8578.1722Well-Tempered Clavier I, P. & F. No.12 (/1 = WFB No. 24: Praeludium [11])Fmin.Keyboard14: 44 451: 218V/5: 36 V/6.1: 58after BWV 857a
857a8.Prelude and Fughetta (early WTC I No. 12)Fmin.KeyboardV/6.1:178→ BWV 857
8588.1722Well-Tempered Clavier I, P. & F. No.13F♯maj.Keyboard14: 48V/6.1: 64after BWV 858a
858a8.Prelude and Fughetta (early WTC I No. 13)F♯maj.KeyboardV/6.1:184→ BWV 858
8598.1722Well-Tempered Clavier I, P. & F. No.14F♯min.Keyboard14: 50V/6.1: 64after BWV 859a
859a8.Prelude and Fughetta (early WTC I No. 14)F♯min.KeyboardV/6.1:188→ BWV 859
8608.1722Well-Tempered Clavier I, P. & F. No.15Gmaj.Keyboard14: 52V/6.1: 72after BWV 860a
860a8.Prelude and Fughetta (early WTC I No. 15)Gmaj.KeyboardV/6.1:192→ BWV 860
8618.1722Well-Tempered Clavier I, P. & F. No.16Gmin.Keyboard14: 57V/6.1: 78after BWV 861a
861a8.Prelude and Fughetta (early WTC I No. 16)Gmin.KeyboardV/6.1:198→ BWV 861
8628.1722Well-Tempered Clavier I, P. & F. No.17A♭maj.Keyboard14: 60V/6.1: 82after BWV 862a
862a8.Prelude and Fughetta (early WTC I No. 17)A♭maj.KeyboardV/6.1:202→ BWV 862
8638.1722Well-Tempered Clavier I, P. & F. No.18G♯min.Keyboard14: 64V/6.1: 86after BWV 863a
863a8.Prelude and Fughetta (early WTC I No. 18)G♯min.KeyboardV/6.1:206→ BWV 863
8648.1722Well-Tempered Clavier I, P. & F. No.19Amaj.Keyboard14: 66V/6.1: 90after BWV 864a
864a8.Prelude and Fughetta (early WTC I No. 19)Amaj.KeyboardV/6.1:210→ BWV 864
8658.1722Well-Tempered Clavier I, P. & F. No.20Amin.Keyboard14: 70V/6.1: 96after BWV 865a
865a8.Prelude and Fughetta (early WTC I No. 20)Amin.KeyboardV/6.1:216→ BWV 865
8668.1722Well-Tempered Clavier I, P. & F. No.21B♭maj.Keyboard14: 74V/6.1: 104after BWV 866a
866a8.Prelude and Fughetta (early WTC I No. 21)B♭maj.KeyboardV/6.1:224→ BWV 866
8678.1722Well-Tempered Clavier I, P. & F. No.22B♭min.Keyboard14: 78V/6.1: 108after BWV 867a; → Hess 38[commons]
867a8.Prelude and Fughetta (early WTC I No. 22)B♭min.KeyboardV/6.1:228→ BWV 867
8688.1722Well-Tempered Clavier I, P. & F. No.23Bmaj.Keyboard14: 82V/6.1: 112after BWV 868a
868a8.Prelude and Fughetta (early WTC I No. 23)Bmaj.KeyboardV/6.1:232→ BWV 868
8698.1722Well-Tempered Clavier I, P. & F. No.24Bmin.Keyboard14: 84V/6.1: 116after BWV 869a
869a8.Prelude and Fughetta (early WTC I No. 24)Bmin.KeyboardV/6.1:236→ BWV 869
870b 870/28.1739–1742Well-Tempered Clavier II, P. & F. No.1 (versionA)Cmaj.Keyboard451:243 14: 94V/6.2:2, 6, 342
8718.1739–1742 1744Well-Tempered Clavier II, P. & F. No.2Cmin.Keyboard14: 96V/6.2:8, 160→ K. 405/1
8728.1739–1742 1744Well-Tempered Clavier II, P. & F. No.3C♯maj.Keyboard14: 100V/6.2:12, 164, 352after BWV 872a
872a/18.1739–1740Prelude (early WTC II, P. & F. No.3/1)Cmaj.Keyboard14: 243V/6.2: 344→ BWV 872/1
872a/28.1738Fughetta (early WTC II, P. & F. No.3/2)Cmaj.Keyboard36: 224V/6.2: 358→ BWV 872/2
8738.1739–1742 1744Well-Tempered Clavier II, P. & F. No.4C♯maj.Keyboard14: 104V/6.2:16, 168
8748.1739–1742 1744Well-Tempered Clavier II, P. & F. No.5Dmaj.Keyboard14: 108V/6.2:24, 176→ K. 405/5
8758.1739–1742 1744Well-Tempered Clavier II, P. & F. No.6Dmin.Keyboard14: 112V/6.2:30 182,348, 356after BWV 875a
875a8.1739–1740Preambulum (early WTC II, P. & F. No.6/1)Dmin.Keyboard36: 224V/6.2: 346→ BWV 875/1
8768.1739–1742 1744Well-Tempered Clavier II, P. & F. No.7E♭maj.Keyboard14: 116V/6.2:36, 188,354→ K. 405/2
8778.1739–1742 1744Well-Tempered Clavier II, P. & F. No.8D♯min.Keyboard14: 120V/6.2:42, 194→ K. 405/4
8788.1739–1742 1744Well-Tempered Clavier II, P. & F. No.9Emaj.Keyboard14: 124V/6.2:48, 200→ K. 405/3
8798.1739–1742 1744Well-Tempered Clavier II, P. & F. No.10Emin.Keyboard14: 128V/6.2:54, 206
8808.1739–1742 1744Well-Tempered Clavier II, P. & F. No.11Fmaj.Keyboard14: 134V/6.2:62, 215
8818.1739–1742 1744Well-Tempered Clavier II, P. & F. No.12Fmin.Keyboard14: 138V/6.2:69, 221
8828.1739–1742 1744Well-Tempered Clavier II, P. & F. No.13F♯maj.Keyboard14: 142V/6.2:76, 228→ K. 404a/3
8838.1739–1742 1744Well-Tempered Clavier II, P. & F. No.14F♯min.Keyboard14: 146V/6.2:84, 236→ K. 404a/2
8848.1739–1742 1744Well-Tempered Clavier II, P. & F. No.15Gmaj.Keyboard14: 150V/6.2:90, 242,350after BWV 902/2
8858.1739–1742 1744Well-Tempered Clavier II, P. & F. No.16Gmin.Keyboard14: 154V/6.2:94, 246
8868.1739–1742 1744Well-Tempered Clavier II, P. & F. No.17A♭maj.Keyboard14: 160V/6.2:100, 108,252after BWV 901/2
8878.1739–1742 1744Well-Tempered Clavier II, P. & F. No.18G♯min.Keyboard14: 166V/6.2:112, 260
8888.1739–1742 1744Well-Tempered Clavier II, P. & F. No.19Amaj.Keyboard14: 172V/6.2:120, 268
8898.1739–1742 1744Well-Tempered Clavier II, P. & F. No.20Amin.Keyboard14: 176V/6.2:124, 272
8908.1739–1742 1744Well-Tempered Clavier II, P. & F. No.21B♭maj.Keyboard14: 180V/6.2:128, 276
8918.1739–1742 1744Well-Tempered Clavier II, P. & F. No.22B♭min.Keyboard14: 186V/6.2:134, 282
8928.1739–1742 1744Well-Tempered Clavier II, P. & F. No.23Bmaj.Keyboard14: 192V/6.2:142, 290
8938.1739–1742 1744Well-Tempered Clavier II, P. & F. No.24Bmin.Keyboard14: 198V/6.2:150, 298
8708.1744Well-Tempered Clavier II, P. & F. No.1 (versionB)Cmaj.Keyboard14: 91V/6.2:156after BWV 870a
8948.1710–1717 (JTK)Prelude and FugueAmin.Keyboard36: 91V/9.2: 40→ BWV 1044/1, /3; in SBB P 801, P 804
8958.1709 (JCB)Prelude and FugueAmin.Keyboard36: 104V/9.2: 69in Yale LM 4982
8968.1704–1707Prelude and FugueAmaj.Keyboard36: 157V/9.2: 72in Möllersche Handschrift
870a8.before 1727Prelude and FughettaCmaj.Keyboard36: 224V/6.2:307, 310→ BWV 870; in SBB P804, P 1089
8998.before 1727Prelude and FughettaDmin.Keyboard36: 106V/6.2:314 V/12: 24in SBB P804, P1089
9008.before 1727Prelude and FughettaEmin.Keyboard36: 108V/6.2 V/12in SBB P804, P1089
9018.before 1727Prelude and FughettaFmaj.Keyboard36: 112V/6.2: 324→ BWV 886/2; in SBB P1089
9028.c.1729Prelude and FughettaGmaj.Keyboard36: 114V/6.2: 328→ BWV 884/2; in SBB P804, P1089
902/1a8.before 1727Prelude (previous Prelude to BWV 902/2)Gmaj.Keyboard36: 220V/6.2:334, 338→ BWV 884/2; in SBB P804
9038.Chromatic Fantasia and FugueDmin.Keyboard36: 71V/9.2: 76after BWV 903a; in SBB P803, P651
903a8.Fantasia (early BWV 903/1)Dmin.Keyboard36: 219V/9.2: 90→ BWV 903/1; in D-DS Mus.ms.69
9048.before 1727Fantasia and FugueAmin.Keyboard36: 81V/9.2in SBB P804
9068.before 1729 c.1738Fantasia and Fugue (Fugue incomplete)Cmin.Keyboard36: 145, 238V/9.2: 110in US-BETbc, D-Dl Mus.2405-T-52
9108.1707–1713ToccataF♯min.Kb (or) Org3: 311V/9.1: 1in Andreas-Bach-Buch
9118.1707–1713ToccataCmin.Kb (or) Org3: 322V/9.1: 13in Andreas-Bach-Buch
9128.1707–1713ToccataDmaj.Kb (or) Org36: 26V/9.1: 38after BWV 912a; ↔ BWV 532/1
912a8.1704–1707ToccataDmaj.Kb (or) Org36: 218V/9.1: 26→ BWV 912; in Möllersche Handschrift
9138.1707–1709ToccataDmin.Kb (or) Org36: 36V/9.1: 50, 63after BWV 913a
913a8.ToccataDmin.Kb (or) OrgV/9.1: 52→ BWV 913; publ. 1801
9148.1707–1709ToccataEmin.Kb (or) Org36: 47V/9.1: 78
9158.1707–1709ToccataGmin.Kb (or) Org36: 54V/9.1: 87
9168.1707–1713ToccataGmaj.Kb (or) Org36: 63V/9.1: 100in Andreas-Bach-Buch
9178.1704–1707FantasiaGmin.Keyboard36: 143V/9.1: 14, 16in Möllersche Handschrift
9188.Fantasia on a RondoCmin.Keyboard36: 148V/9.1: 14, 18
9218.1707–1713PreludeCmin.Keyboard36: 136V/9.1: 24in Andreas-Bach-Buch
9228.1710–1714 (JTK)Prelude (Fantasia)Amin.Keyboard36: 138V/9.2: 27, 34in SBB P 803
9238.c.1723?PreludeBmin.Keyboard42: 211V/9.2: 116by Pachelbel, W.H.?; → BWV 923a; in SBB P 401
9248.c.1720Twelve Little Preludes No. 1: Preambulum (WFB No. 2)Cmaj.Keyboard36: 118 451: 214V/5: 4→ BWV 924a
924a8.1720–1726Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26)Cmaj.Keyboard36: 221 451: 220V/5: 41after BWV 924; BRA44 F(add)206
9258.1720–1726Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27)Dmaj.Keyboard36: 121 451: 220V/5: 42BRA45 F(add)206
9268.c.1720Twelve Little Preludes No. 5: Preludium (WFB No. 4)Dmin.Keyboard36: 122 451: 214V/5: 6
9278.1720–1726Twelve Little Preludes No. 8: Preambulum (WFB No. 8)Fmaj.Keyboard36: 124 451: 215V/5: 10
9288.1720–1726Twelve Little Preludes No. 9: Preludium (WFB No. 10)Fmaj.Keyboard36: 124 451: 215V/5: 14
9298.1720–1726Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e)Gmin.Keyboard36: 126 451: 226V/5: 89→ BWV 814a
9308.1720–1726Twelve Little Preludes No. 11: Preambulum (WFB No. 9)Gmin.Keyboard36: 126 451: 215V/5: 12
9318.1720–1726Preludium, Klavierbüchlein WFB No.29Amin.Keyboard36: 237 451: 220V/5: 45BRA47 F(add)206
9328.1720–1726Preludium ex e♭, Klavierbüchlein WFB No.28 (incomplete)Emin.Keyboard36: 237 451: 220V/5: 44BRA46 F(add)206
9338.1717–1723?Six Little Preludes No. 1Cmaj.Keyboard36: 128V/9.2: 3in SBB P 542, P 885
9348.1717–1723?Six Little Preludes No. 2Cmin.Keyboard36: 128V/9.2: 4in SBB P 542, P 885
9358.1717–1723?Six Little Preludes No. 3Dmin.Keyboard36: 130V/9.2: 5in SBB P 542, P 885
9368.1717–1723?Six Little Preludes No. 4Dmaj.Keyboard36: 131V/9.2: 6in SBB P 542, P 885
9378.1717–1723?Six Little Preludes No. 5Emaj.Keyboard36: 132V/9.2: 8in SBB P 542, P 885
9388.1717–1723?Six Little Preludes No. 6Emin.Keyboard36: 133V/9.2: 10in SBB P 542, P 885
9398.1726–1727Five Little Preludes No. 1 (=12 L. P. No. 2)Cmaj.Keyboard36: 119V/12: 50by Bach?; in SBB P 804
9408.1726–1727Five Little Preludes No. 2 (=12 L. P. No. 6)Dmin.Keyboard36: 123V/12: 50by Bach?; in SBB P 804
9418.1726–1727Five Little Preludes No. 3 (=12 L. P. No. 7)Emin.Keyboard36: 123V/12: 51by Bach?; in SBB P 804
9428.1726–1727Five Little Preludes No. 4 (=12 L. P. No. 12)Amin.Keyboard36: 127V/12: 52by Bach?; in SBB P 804
9438.1725–1727Five Little Preludes No. 5Cmaj.Org (Kb?)36: 134V/12: 53in SBB P 804
9448.1707–1713Fantasia and FugueAmin.Keyboard3: 334V/9.2: 133in Andreas-Bach-Buch
9468.early work?Fugue on a theme by AlbinoniCmaj.Keyboard36: 159V/9.2: 153after Albinoni, Op.1, No.12/4 (theme)
9478.early work?FugueAmin.Keyboard36: 161V/12: 55by Bach?
9488.early work?FugueDmin.Keyboard36: 164V/9.2: 156in D-B N. Mus. ms. 10580
9498.1707–1713FugueAmaj.Keyboard36: 169V/9.2: 163after Albinoni (theme)?; in Andreas-Bach-Buch
9508.before 1725Fugue on a theme by AlbinoniAmaj. Gmaj.Keyboard36: 173V/9.2: 168after Albinoni (theme); in SBB P804
9518.1714–1717Fugue on a theme by AlbinoniBmin.Keyboard36: 178V/9.2: 118after BWV 951a; in SBB P801
951a8.1714–1717Fugue on a theme by Albinoni (early version)Bmin.Keyboard36: 221V/9.2: 127after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9
9528.FugueCmaj.Keyboard36: 184V/9.2: 176
9538.1720–1726Fugue a 3, Klavierbüchlein WFB No.31Cmaj.Keyboard36: 186 451: 220V/5: 46
9548.early work?Fugue on a theme by ReinckenB♭maj.Keyboard42: 50V/11: 200after Reincken, Hortus Musicus No. 2/2 (theme)
9558.early workFugueB♭maj.Keyboard42: 55V/12: 60after BWV 955a; in SBB P 425, P 804
955a8.early workFugueB♭maj.Organ42: 298V/12: 65by Erselius?; → BWV 955; in SBB P 247, P 595
9598.FugueAmin.Keyboard42: 208V/9.2: 178by Bach?
9618.?FughettaCmin.Keyboard36: 154V/9.2: 182in SBB P 823
9638.early workSonata for keyboardDmaj.Keyboard36: 19V/10: 32in SBB P 804
9658.c.1714–1717 or earlierSonata for keyboard after ReinckenAmin.Keyboard42: 29V/11: 173after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803
9668.c.1714–1717 or earlierSonata for keyboard after ReinckenAmin.Keyboard42: 42V/11: 188after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803
9678.1704–1707Sonata transcription, 1st movementAmin.Keyboard451: 168V/9.2: 184in SBB P 804
9718.1733–1735Italian Concerto (Clavier-Übung II No. 1)Fmaj.Harpsichord3: 139V/2: 2
9728.July 1713– July 1714Concerto for solo keyboard (1/16)Dmaj.Keyboard42: 59V/11: 3after Vivaldi, Op.3 No.9
972a8.July 1713– July 1714Concerto for solo keyboard (1/16), early versionDmaj.KeyboardV/11: 161after Vivaldi, Op.3 No.9
9738.July 1713– July 1714Concerto for solo keyboard (2/16)Gmaj.Keyboard42: 59V/11: 12after Vivaldi, Op.7 No.8
9748.July 1713– July 1714Concerto for solo keyboard (3/16)Dmin.Keyboard42: 59V/11: 20after Marcello, A., Oboe Concerto
9758.July 1713– July 1714Concerto for solo keyboard (4/16)Gmin.Keyboard42: 59V/11: 30after Vivaldi, Op.4 No.6
9768.July 1713– July 1714Concerto for solo keyboard (5/16)Cmaj.Keyboard42: 59V/11: 39after Vivaldi, Op.3 No.12
9778.July 1713– July 1714Concerto for solo keyboard (6/16)Cmaj.Keyboard42: 59V/11: 50after unknown model
9788.July 1713– July 1714Concerto for solo keyboard (7/16)Fmaj.Keyboard42: 59V/11: 56after Vivaldi, Op.3 No.3 (RV310)
9798.July 1713– July 1714Concerto for solo keyboard (8/16)Bmin.Keyboard42: 59V/11: 64after Vivaldi, RV813 (previously: Torelli)
9808.July 1713– July 1714Concerto for solo keyboard (9/16)Gmaj.Keyboard42: 59V/11: 79after Vivaldi, Op.4 No.1 (RV381)
9818.July 1713– July 1714Concerto for solo keyboard (10/16)Cmin.Keyboard42: 59V/11: 90after Marcello, B., Op.1 No.2
9828.July 1713– July 1714Concerto for solo keyboard (11/16)B♭maj.Keyboard42: 59V/11: 100after J.E. of Saxe-Weimar, Op.1 No.1
9838.July 1713– July 1714Concerto for solo keyboard (12/16)Gmin.Keyboard42: 59V/11: 110after unknown model
9848.July 1713– July 1714Concerto for solo keyboard (13/16)Cmaj.Keyboard42: 59V/11: 118after J.E. of Saxe-Weimar, lost Concerto; → BWV 595
9858.July 1713– July 1714Concerto for solo keyboard (14/16)Gmin.Keyboard42: 59V/11: 128after Telemann, TWV51:g1
9868.July 1713– July 1714Concerto for solo keyboard (15/16)Gmin.Keyboard42: 59V/11: 137after unknown model
9878.July 1713– July 1714Concerto for solo keyboard (16/16)Dmin.Keyboard42: 59V/11: 142after J.E. of Saxe-Weimar, Op.1 No.4
9888.1741–1742Goldberg Variations (Clavier-Übung IV)Gmaj.Harpsichord3: 263V/2: 69→ BWV 1087
988/18.c.1740? (AMB)Notebook A. M. Bach (1725) No.26 Aria of the Goldberg VariationsGmaj.Harpsichord3: 263V/4: 103→ BWV 1087
9898.1707–1713Aria variataAmin.Keyboard36: 203V/10: 21in Andreas-Bach-Buch
9918.1722Notebook A. M. Bach (1722) No.7 Air with variations (incomplete)Cmin.Keyboard432: 4V/4: 40
9928.1704–1707Capriccio on the departure of a beloved brotherB♭maj.Keyboard36: 190V/10: 3in Möllersche Handschrift
9938.c.1705Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis[scores]Emaj.Keyboard36: 197V/10: 12in SBB P 804
9948.1720Klavierbüchlein WFB No.1: ApplicatioCmaj.Keyboard36: 237 451:214V/5: 4
9.Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach)Up ↑
9959.Fall 1727 – Winter 1731Suite for luteGmin.LuV/10: 81after BWV 1011
9969.1710–1717 (JGW)Suite for luteEmin.Lu (Lw?)451: 149V/10: 94in SBB P 801, pp.385–395
997.19.1720–1739Suite (1st version)Cmin.Lw451: 156V/10: 102in SBB P 650; → BWV 997.2
997.29.1720–1739Suite (2nd version)Cmin.Lu451: 156V/10: 102in D LEm III 11.5; after BWV 997.1
9989.1735–1745Prelude, Fugue and AllegroE♭maj.Lu (or) Hc451: 141V/10: 114
9999.1717–1723Prelude for lute (Twelve Little Preludes No.3)Cmin.Lu36: 119V/10: 122in SBB P 804, pp.101–103
10009.after 1720FugueGmin.LuV/10: 124after BWV 1001/2; → 539/2; in MB Lpz III.11.4
1006.29.c.1736–1737SuiteEmaj.Lu?42: 16V/10: 134after BWV 1006.1

Other keyboard and lute compositions

Canons (BWV 1072–1078)

Late contrapuntal works (BWV 1079–1080)

Spurious and doubtful works in Anna Magdalena's Notebooks (BWV Anh. 113–132)

Piano transcriptions

Sources

External links