BWV Anh.

The BWV Anh. (German:Bach-Werke-Verzeichnis Anhang,lit.'Bach Works Catalogue Annex') is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.

History

First edition of the Bach-Werke-Verzeichnis (1950)

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach-Gesellschaft (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata):

Kantaten (Cantatas), BWV 1–224
Motetten (Motets), BWV 225–231
Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
Passionen, Oratorien (Passions, Oratorios), BWV 244–249
Vierstimmige Choräle (Four-part chorales), BWV 250–438
Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
Werke für Orgel (Works for organ), BWV 525–771
Werke für Klavier (Keyboard compositions), BWV 772–994
Werke für Laute (Lute compositions), BWV 995–1000
Kammermusik (Chamber music), BWV 1001–1040
Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
Kanons (Canons), BWV 1072–1078
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

The Anhang of the BWV listed works that were not suitable for the main catalogue, in three sections:

I – lost works, or works of which only a tiny fraction had survived (BWV Anh. 1–23)
II – works of dubious authenticity (BWV Anh. 24–155)
III – works that were once attributed to Bach, but for which it had been established they were not composed by him (BWV Anh. 156–189)

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

Second edition of the Bach-Werke-Verzeichnis (1990 and 1998)

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. Authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "BWV Anh. 114 / Anh. III 183→" indicating it was now considered a spurious work.

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.

New additions (Nachträge) to BWV2/BWV2a included:

BWV 1081–1126
BWV Anh. 190–213

A few exceptions to the principle that compositions were not renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWVAnh.205 (BWV2) → BWV1121 (BWV2a, where it is in section 7 as a work for organ).

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, BWV Anh. 198 was renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV232/22 (22nd movement of the composition), or alternatively as BWV232IV/4 (BWV 232, fourth movement of Part IV).

Bachs Notenbibliothek (1992)

Kirsten Beißwenger[scores] published Bachs Notenbibliothek (BNB) in 1992. As a compendium of works in Bach's musical library, it listed as well Bach's own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWVAnh. (mostly Anh.III). For example, the Kyrie–Gloria Mass for double choir, BWV Anh. 167, is listed as BNBI/An/3 in Beißwenger's catalogue.

21st century

As of mid-2018 the Bach Digital website started to implement the new numbers of the next edition of the Bach-Werke-Verzeichnis. The editors of this third edition of the Bach-Werke-Verzeichnis (BWV³: officially presented to the public on June 13, 2022, during the Leipzig Bachfest) recognised that the BWVAnh. had become largely unworkable, calling for a new approach.

List

Legend

Legend to the table
column	content
01	BWV	Bach-Werke-Verzeichnis (lit.'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: preceded by I: in Anh.I (lost works) of BWV1 (1950 first edition of the BWV) preceded by II: in Anh.II (doubtful works) of BWV1 preceded by III: in Anh.III (spurious works) of BWV1 preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
02	2a	Section in which the composition appears in BWV2a: Chapters of the main catalogue indicated by Arabic numerals (1-13) Anh. sections indicated by Roman numerals (I–III) Reconstructions published in the NBE indicated by "R"
03	Date	Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04	Name	Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05	Key	Key of the composition
06	Scoring	See scoring table below for the abbreviations used in this column
07	BG	Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.
08	NBE	New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre: Cantatas (Vol.1–34: church cantatas grouped by occasion; Vol.35–40: secular cantatas; Vol.41: Varia)Masses, Passions, Oratorios (12 volumes)Motets, Chorales, Lieder (4 volumes)Organ Works (11 volumes)Keyboard and Lute Works (14 volumes)Chamber Music (5 volumes)Orchestral Works (7 volumes)Canons, Musical Offering, Art of Fugue (3 volumes)Addenda (approximately 7 volumes)
09	Additional info	may include: "after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition "pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV "text" – by text author, or, in source Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
10	BD	Bach Digital Work page

Legend for abbreviations in "Scoring" column
Voices (see also SATB)
a	A	b	B	s	S	t	T	v	V
alto (solo part)	alto (choir part)	bass (solo part)	bass (choir part)	soprano (solo part)	soprano (choir part)	tenor (solo part)	tenor (choir part)	voice (includes parts for unspecified voices or instruments as in some canons)	vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas	Bel	Cnt	Fl	Hn	Ob	Oba	Odc	Tai	Tbn	Tdt	Tmp	Tr
bassoon (can be part of Bc, see below)	bell(s) (musical bells)	cornett, cornettino	flute (traverso, flauto dolce, piccolo, flauto basso)	natural horn, corno da caccia, corno da tirarsi, lituo	oboe	oboe d'amore	oboe da caccia	taille	trombone	tromba da tirarsi	timpani	tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc	Hc	Kb	Lu	Lw	Org	Str	Va	Vc	Vdg	Vl	Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu	harpsichord	keyboard (Hc, Lw, Org or clavichord)	lute, theorbo	Lautenwerck (lute-harpsichord)	organ (/man. = manualiter, without pedals)	strings: VlI, VlII and Va	viola(s), viola d'amore, violetta	violoncello, violoncello piccolo	viola da gamba	violin(s), violino piccolo	violone, violone grosso

Background colours
Colour	Meaning
green	extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow	extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J.Christoph), wife (A.M.), son (W.F. / C.P.E. / J.C.F. / J.Christian) or son-in-law (Altnickol)
orange-brown	extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member

Table

Compositions listed in the Anhang of BWV2a
BWV	2a	Date	Name	Key	Scoring	BG	NBE	Additional info
Anh. I	Fragments – lost works	Up ↑
I 1	I	1725-07-15?	Cantata Gesegnet ist die Zuversicht (TrinityVII)		SATB 2Fl Str Bc			by Telemann (TWV1:617)?; text by Neumeister?
I 2	I							see BWV 1137
I 3	I							see BWV 1140
I 4	I							see BWV 1139.1
I 4a	I							see BWV 1139.2
I 5	I							see BWV 1147
I 6	I							see BWV 1151
I 7	I							see BWV 1153
I 8	I							see BWV 1152
I 9	I							see BWV 1156
I 10	I							see BWV 1160
I 11	I							see BWV 1157
I 12	I							see BWV 1158
I 13	I							see BWV 1161
I 14	I							see BWV 1144
I 15	I							see BWV 1148
I 16	I	1735-11-09	Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg)					by Roemhildt; text by Hoffmann, B.
I 17	I		Cantata Mein Gott, nimm die gerechte Seele (funeral)		SATB 2Oba Str Bas Bc		I/33
I 18	I							see BWV 1162
I 19	I	1734-11-21	Secularcantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school)				I/39	text by Landvoigt[de]?
I 20	I							see BWV 1155
N 190	I	1729-04-18	Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)		b Bc ...		I/33	by Bach, C.P.E.?; text by Picander
N 191	I	1715-05-19	Cantata Leb ich oder leb ich nicht (Cantate)					text by Franck, S.
N 192	I							see BWV 1138.1
N 193	I							see BWV 1141
N 194	I							see BWV 1154
N 195	I	1723-06-09	Secularcantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus[de])					text in Acta Lipsiensium 1723, Vol.5, pp.
N 196	I							see BWV 1163
N 197	I							see BWV 1150
N 198	I							see BWV 149/1a
N 199	I							see BWV 1135
N 200	I	c.1740	choralesetting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein)		Organ		IV/1: 46	after Z 1915; in SBB P 283
N 209	I							see BWV 1136
N 210	I	1734-10-04	Cantata Wo sind meine Wunderwerke[it] (leave-taking of Johann Matthias Gesner)					text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?
N 211	I							see BWV 1145
N 212	I							see BWV 1146
N 213	I		Concerto	Fmaj.	Org			by Telemann; arr. by Bach
223	I	1717–1718?	Cantata Meine Seele soll Gott loben	B♭maj.			I/34	by Handel?
224	I	1732	Aria "Reißt euch los, bekränkte Sinnen" (fragment)		S		I/41	by Bach, C.P.E.?; in SBB P491
Anh. II	Works of doubtful authenticity	Up ↑
53	II		Aria "Schlage doch, gewünschte Stunde" (Funeral)	Emaj.	a Bel Str Bc	122: 53	I/41	by Hoffmann, M.?
142	II		Cantata Uns ist ein Kind geboren (Christmas)	Amin.	atbSATB 2Fl 2Ob Str Bc	30: 19	I/41	text by Neumeister (reworked)
189	II		Cantata Meine Seele rühmt und preist (German Magnificat, Visitation)	B♭maj.	t Fl Ob Vl Bc	37: 213	I/41	by Hoffmann, M.
217	II		Cantata Gedenke, Herr, wie es uns gehet (Epiphany I)		satbSATB Fl Str Bc	41: 207	I/41	by Altnickol?
220	II		Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist)		atbSATB Fl 2Ob Str Bc	41: 259	I/41
221	II		Cantata Wer sucht die Pracht, wer wünscht den Glanz		tb 2Vl Bas Vc Org		I/41	in SBB P 191: 83–113
III 159	II							see BWV 1164
II 25	II	1740–1742 (JSB)	Kyrie–Gloria Mass	Cmaj.	SATB 2Tr 2Vl Org	111: XVI	II/9	by Bach, J.L.?
239	II	1738–1741 (JSB)	Sanctus	Dmin.	SATB Str Bc	111: 89	II/9	after Caldara, Missa Providentiae/4
II 28	II		Sanctus	B♭maj.	SATB 2Ob 2Cor Str Bc	111: XVII	II/9
II 29	II	c.1714–17	Kyrie–Gloria Mass (only cello part extant)	Cmin.			II/9	in BKraków St 547
III 167	II	1738–1739 (JSB)	Kyrie–Gloria Mass for two choirs	Gmaj.	3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org		II/9	by Bernhard, Krieger or Pohle?; in SBB P659
II 30	II	1690s (Tor.) c.1742 (JSB)	Magnificat for double choir	Cmaj.	2SATB 3Tr Tmp 2Vl 2Vla Bc	111: XV	II/9	after Torri, Magnificat; Tr3, Tmp by Bach
246	II	1732-04-11 (JSB)	Passion St Luke Passion		ssatbSATB 2Fl 2Ob Tai Bas Str Bc	452	II/9: 65	→ BWV 246/40a; in SBB P 1017
II 31	II		choralesetting "Herr Gott, dich loben alle wir"		SATB 2Tr 3Ob Str Bc			in SBB P101
N 201	II		choralesetting "Du Friedefürst, Herr Jesu Christ"		SATB			by Vetter, D.
N 202	II		choralesetting "Gott hat das Evangelium"		SATB			by Vetter, D.
N 203	II		choralesetting "Ich hebe meine Augen auf"		SATB			by Vetter, D.
N 204	II		choralesetting "O Traurigkeit, o Herzeleid"		SATB			by Vetter, D.
II 32	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.1 "Getrost mein Geist, wenn Wind und Wetter krachen"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 33	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.2 "Mein Jesus, spare nicht"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 34	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.3 "Kann ich mit einem Tone"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 35	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.4 "Meine Seele lass die Flügel"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 36	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.5 "Ich stimm' itzund ein Straff-Lied an"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 37	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.6 "Der schwarze Flügel trüber Nacht"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 38	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.7 "Das Finsterniß tritt ein"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 39	II	1704	Sieben geistliche Oden und ein Gedicht[scores] No.8 "Ach was wollt ihr trüben Sinnen"		Voice Bc			in Deutsche Übersetzungen und Gedichte
II 40	II	1736	Song "Ich bin nun wie ich bin"[scores]		Voice Kb			in Singende Muse an der Pleiße[scores]
II 41	II	1736	Song "Dir zu Liebe, wertes Herze"[scores]		Voice Kb			in Singende Muse an der Pleiße[scores]
571	II	c.1704	Fantasia, a.k.a. Concerto	Gmaj.	Organ	38: 67	IV/11: 35
580	II		Fugue	Dmaj.	Organ	38: 215
II 42	II		Fugue[scores]	Fmaj.	Organ			in SBB P 817: 1–3
576	II		Fugue	Gmaj.	Organ	38: 106	IV/11
577	II		Fugue	Gmaj.	Organ	38: 111	IV/11: 44
581	II		Fugue[scores]	Gmaj.	Organ		IV/11	by Homilius?
131a	II		Fugue	Gmin.	Organ	38: 217	IV/11: 3	after BWV 131/5
534	II		Prelude and Fugue	Fmin.	Organ	15: 104	IV/5: 130	by Bach, W.F.?
536a	II	c.1760–1789?	Prelude and Fugue	Amaj.	Organ		IV/6: 114	after BWV 536, 152/1; arr. by Scholz?
545b	II	1708–1717	Prelude, Trio and Fugue	B♭maj.	Organ		IV/11: 6	after BWV 545a; ↔ 545, 1029/3
553	II		Eight Short Preludes and Fugues No.1	Cmaj.	Organ	38: 23	IV/11	by Krebs, J.T. or J.L.?
554	II		Eight Short Preludes and Fugues No.2	Dmin.	Organ	38: 27	IV/11	by Krebs, J.T. or J.L.?
555	II		Eight Short Preludes and Fugues No.3	Emin.	Organ	38: 30	IV/11	by Krebs, J.T. or J.L.?
556	II		Eight Short Preludes and Fugues No.4	Fmaj.	Organ	38: 33	IV/11	by Krebs, J.T. or J.L.?
557	II		Eight Short Preludes and Fugues No.5	Gmaj.	Organ	38: 36	IV/11	by Krebs, J.T. or J.L.?
558	II		Eight Short Preludes and Fugues No.6	Gmin.	Organ	38: 39	IV/11	by Krebs, J.T. or J.L.?
559	II		Eight Short Preludes and Fugues No.7	Amin.	Organ	38: 42	IV/11	by Krebs, J.T. or J.L.?
560	II		Eight Short Preludes and Fugues No.8	B♭maj.	Organ	38: 45	IV/11	by Krebs, J.T. or J.L.?
561	II		Fantasia and Fugue	Amin.	Organ	38: 48
568	II		Prelude	Gmaj.	Organ	38: 85	IV/6: 51
584	II		Trio[scores]	Gmin.	Organ		I/12: 23 IV/11	after BWV 166/2
1027 /1a /2a /4a	II		Trio[scores]	Gmaj.	Organ		IV/11	after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J.P.?
591	II		Kleines harmonisches Labyrinth		Organ	38: 225	IV/11: 50	by Heinichen?
597	II		Concerto for solo organ	E♭maj.	Organ		IV/11	after lost model?
598	II		Pedal-Exercitium (fragment)		Organ	38: 210		by Bach, C.P.E.?
676a	II	1739–1789	choralesetting "Allein Gott in der Höh sei Ehr" (later variant)		Organ	40: 208	IV/4: KB48	after BWV 676
683a	II	1739–1789	choralesetting "Vater unser im Himmelreich" (later variant)		Organ		IV/4: KB51	after BWV 683
N 205	II							see BWV 1121
II 48	II		choralesetting "Allein Gott in der Höh sei Ehr"		Organ			by Walther (& Scholz?)
II 49	II		choralesetting "Ein feste Burg ist unser Gott"		Organ			by Walther?
II 50	II		choralesetting "Erhalt uns, Herr, hei deinem Wort"		Organ
II 51	II		choralesetting "Erstanden ist der heilge Christ"		Organ
II 52	II		choralesetting "Freu dich sehr, o meine Seele"		Organ
II 53	II		choralesetting "Freu dich sehr, o meine Seele"		Organ
II 54	II		choralesetting "Helft mir Gotts Güte preisen"		Organ
choralesetting "Von Gott will ich nicht lassen"
II 55	II	1714-1717 or earlier	choralesetting "Herr Christ, der einig Gottes Sohn"[scores]		Organ
II 58	II		choralesetting "Jesu, meine Freude"		Organ
II 59	II		choralesetting "Jesu, meine Freude"		Organ
II 60	II		choralesetting "Nun lob, mein Seel, den Herren"[scores]		Organ			by Walther?
II 62a	II		choralesetting "Sei Lob und Ehr mit hohem Preis"		Organ
II 62b	II		choralesetting "Sei Lob und Ehr mit hohem Preis"		Organ
II 63	II		choralesetting "Vom Himmel hoch"		Organ
II 64	II		choralesetting "Vom Himmel hoch"		Organ
II 65	II		choralesetting "Vom Himmel hoch"		Organ
II 66	II		choralesetting "Wachet auf, ruft uns"		Organ Tr			by Krebs, J.L.?
II 67	II		choralesetting "Was Gott tut, das ist wohlgetan"		Organ
II 68	II		choralesetting "Wer nur den lieben Gott läßt walten"		Organ
II 69	II		choralesetting "Wir glauben all an einen Gott"		Organ
II 70	II		choralesetting "Wir glauben all an einen Gott"[scores]		Organ
II 71	II							see BWV 1128
II 72	II		choralesetting "Christus der uns selig macht" (Canon)		Organ
II 74	II		choralesetting "Schmücke dich, o liebe Seele"[scores]		Organ
II 75	II		choralesetting "Herr Christ, der einig Gottes Sohn"[scores]		Organ
II 76	II		choralesetting "Jesu, meine Freude"[scores]		Organ
II 77	II		choralesetting "Herr Christ, der einig Gottes Sohn"[scores]		Organ
II 78	II		choralesetting "Wenn wir in höchsten Nöten sein"[scores]		Organ
II 79	II		choralesetting "Befiehl du deine Wege"		Organ
691a	II	1720–1789	choralesetting "Wer nur den lieben Gott läßt walten" (variant)		Organ	40: 151		after BWV 691
705	II		choralesetting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16)		Organ	40: 23	IV/10: 47	after Z 7549
708	II	1700–1789	choralesetting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19)		Organ	40: 30	IV/10: 86	after Z 1679
708a	II	1700–1789	choralesetting "Ich hab mein Sach Gott heimgestellt"		Organ	40: 152	IV/10: 86	after Z 1679
716	II		choralesetting "Allein Gott in der Höh sei Ehr" (Fantasia)		Organ	40: 45	IV/10: 14	after Z 4457
726	II	bef. c.1727	choralesetting "Herr Jesu Christ, dich zu uns wend"		Organ	40: 72	IV/3: 45	after Z 624
743	II	bef. c.1740	choralesetting "Ach, was ist doch unser Leben"[scores]		Organ		IV/10: 11	after Z 1208b; by Buttstett, J.H.?
745	II	1700–1788	choralesetting "Aus der Tiefe rufe ich"		Organ	40: 171	IV/10: 22	after Z 1217; by Bach, C.P.E.?
749	II	c.1700–1717	choralesetting "Herr Jesu Christ, dich zu uns wend"[scores]		Organ		IV/10: 80	after Z 624; by Bach, J. Christoph or Telemann?
750	II	c.1700–1703	choralesetting "Herr Jesu Christ, meins Lebens Licht"[scores]		Organ		IV/10: 81
752	II	c.1700–1717	choralesetting "Jesu, der du meine Seele"[scores]		Organ			after Z 6779a
754	II	bef. c.1740	choralesetting "Liebster Jesu, wir sind hier"[scores]		Organ			after Z 3498b
755	II		choralesetting "Nun freut euch, lieben Christen g'mein"[scores]		Organ			after Z 4429a
756	II		choralesetting "Nun ruhen alle Wälder"[scores]		Organ			after Z 2293b
757	II		choralesetting "O Herre Gott, dein göttlichs Wort"[scores]		Organ			after Z 5690
758	II		choralesetting "O Vater, allmächtiger Gott"		Organ	40: 179	IV/11: 69	after Z 8603b
762	II	bef. c.1717	choralesetting "Vater unser im Himmelreich"[scores]		Organ		IV/10: 142	after Z 2561
763	II		choralesetting "Wie schön leucht uns der Morgenstern"[scores]		Organ			after Z 8359
765	II	bef. c.1717	choralesetting "Wir glauben all an einen Gott"		Organ	40: 187		after Z 7971
N 206	II		choralesetting "Ach bleib mit deiner Gnade"[scores]		Organ			by Pachelbel (P376)
choralesetting "Christus, der ist mein Leben"[scores]
II 80	II	1707–1708 or earlier	Suite[scores]	Fmaj.	Keyboard		V/12
821	II		Suite	B♭maj.	Keyboard	42: 213	V/12: 3
834	II		Allemande	Cmin.	Keyboard	42: 259	V/12
839	II	1735-03-07 or earlier	Sarabande[scores]	Gmin.	Keyboard		V/12	in Notenbuch der Zeumerin
844	II		Toccatina No.4 Scherzo	Dmin.	Keyboard	42: 220	V/12: 16	by Bach, W. F.? ↔BWV844a
844a	II		Scherzo	Emin.	Keyboard	42: 281	V/12: 22	by Bach, W. F.? (BRA55); ↔BWV844
845	II		Gigue	Fmin.	Keyboard	42: 263	V/12
II 81	II		Gigue[scores] (incomplete)	Dmin.	Keyboard		V/12	by Kellner, J.P.?
II 82	II		Ciacona[scores]	B♭maj.	Keyboard		V/12	by Bach, J.B.?
II 83	II		Ciacona[scores]	Amaj.	Keyboard		V/12	by Bach, J.B. or H.?
II 84	II		Ciacona[scores]	Gmaj.	Keyboard		V/12	by Bach, J.B.?
II 85	II		Toccata and Fugue[scores]	Fmin.	Keyboard	42:XXXV	V/12: 114, 122	by Dobenecker?
898	II		Prelude and Fugue[scores] onB-A-C-H	B♭maj.	Keyboard	42:XXXIV	V/12
II 86	II		Fantasia	Cmin.	Keyboard	42: 243	V/12	by Gronau?
II 87	II		Fantasia[scores]	Cmaj.	Keyboard		V/12	by Benda?
905	II		Fantasia and Fugue	Dmin.	Keyboard	42: 179	V/12: 24
907	II		Fantasia and Fughetta	B♭maj.	Keyboard	42: 268	V/12: 28	by Kirchhoff[de]?
908	II		Fantasia and Fughetta	Dmaj.	Keyboard	42: 272	V/12: 34	by Kirchhoff[de]?
909	II		Concerto e Fuga	Cmin.	Keyboard	42: 190	V/12: 38
919	II		Fantasia	Cmin.	Keyboard	36: 152	V/12: 48	by Bach, J.B. or J.B. theYounger?
920	II		Fantasia	Gmin.	Keyboard	42: 183	V/12
923a	II		Toccatina No.3 Prelude	Amin.	Keyboard	42: 279	V/12: 14	after BWV 923
II 89	II		Fugue[scores]	Cmaj.	Keyboard	42:XXXIV	V/12
II 90	II		Fugue	Cmaj.	Kb (with ped?)	38: 213	IV/11: 58, 61	by Bach, C.P.E. (H388) or Pachelbel?
II 91	II		Fugue[scores]	Gmaj.	Keyboard	42:XXXIV	V/12
II 92	II		Fugue[scores]	Gmaj.	Keyboard		V/12
II 93	II		Fugue[scores]	Emin.	Keyboard	42:XXXIV	V/12
II 95	II		Fugue[scores]	Emin.	Keyboard	42:XXXIV	V/12
II 96	II		Fugue[scores]	Dmaj.	Keyboard		V/12	by Bach, C.P.E.? (H373.5)
II 98	II		Fugue[scores]	Dmin.	Keyboard		V/12	by Bach, C.P.E.? (H373.5)
II 99	II		Fugue[scores]	Dmin.	Keyboard		V/12
II 100	II		Fugue[scores]	Dmin.	Keyboard		V/12	by Bach, C.P.E.? (H373.5)
II 101	II		Fugue[scores]	Gmin.	Keyboard	42:XXXV	V/12:130	by Dobenecker?
II 102	II		Fugue[scores]	E♭min.	Keyboard		V/12
897/2	II		Fugue	Amin.	Keyboard	42: 175	V/12	by Dretzel or Bach, W.F.?
945	II		Fugue	Emin.	Keyboard	36: 155	V/12	by Graupner?
956	II		Fugue	Emin.	Keyboard	42: 200	V/12: 70
958	II		Fugue	Amin.	Keyboard	42: 205	V/12: 74
960	II		Fugue (incomplete)	Emin.	Keyboard	42: 276	V/12
N 207	II		Fugue	Emin.	Keyboard		IV/11	by Seger?
II 109	II		Fugue[scores] onB-A-C-H	Gmin.	Keyboard		V/12
964	II		Sonata	Dmin.	Keyboard	42: 3	V/12: 78	after BWV 1003
II 111	II		Largo and Allegro[scores]	Gmaj.	Keyboard	42:XXXV	V/12
968	II		Adagio	Gmaj.	Keyboard	42: 27	V/12: 94	after BWV 1005/1
969	II		Toccatina No.5 Andante	Gmin.	Keyboard	42: 218	V/12: 18
II 113	II	1725 (AMB)	Notebook A.M. Bach (1725) No.3 Minuet	Fmaj.	Keyboard	432: 25	V/4: 82
II 116	II	1725 (AMB)	Notebook A.M. Bach (1725) No.7 Minuet	Gmaj.	Keyboard	432: 28	V/4: 87
II 117	II	1725 (AMB)	Notebook A.M. Bach (1725) No.8a and 8b two Polonaises	Fmaj.	Keyboard	432: 28	V/4: 88
II 118	II	1725 (AMB)	Notebook A.M. Bach (1725) No.9 Minuet	B♭maj.	Keyboard	432: 29	V/4: 89
II 119	II	1725 (AMB)	Notebook A.M. Bach (1725) No.10 Polonaise	Gmin.	Keyboard	432: 30	V/4: 90
II 120	II	1725 (AMB)	Notebook A.M. Bach (1725) No.14 Minuet	Amin.	Keyboard	432: 31	V/4: 92
II 121	II	1725 (AMB)	Notebook A.M. Bach (1725) No.15 Minuet	Cmin.	Keyboard	432: 32	V/4: 92
II 126	II	1725 (AMB)	Notebook A.M. Bach (1725) No.22 Musette	Dmaj.	Keyboard	432: 35	V/4: 99
II 127	II	1725 (AMB)	Notebook A.M. Bach (1725) No.23 March	E♭maj.	Keyboard	432: 35	V/4: 100	by Bach, C.P.E.
II 128	II	1725 (AMB)	Notebook A.M. Bach (1725) No.24 (Polonaise)	Dmin.	Keyboard	432: 36	V/4: 101
II 132	II	1725 (AMB)	Notebook A.M. Bach (1725) No.36 Minuet	Dmin.	Keyboard	432: 48	V/4: 125
II 151	II		Concerto	Cmaj.	Keyboard	42:XXXIV	V/12
II 152	II		Concerto	Gmaj.	Vl Hc	42:XXXIV	VI/5
990	II		Sarabanda con Partitis	Cmaj.	Keyboard	42: 221	V/12: 97
II 153	II		Sonata	Amaj.	Vl Bc		VI/5
II 154	II		Sonata	E♭maj.	Vl Hc		VI/5
1020	II		Sonata	Gmin.	Vl Hc	9: 274	VI/5	by Bach, C.P.E.? (H542.5)
1022	II		Sonata[scores]	Fmaj.	Vl Hc		VI/5: 27	by Bach, C.P.E.?; after BWV 1021; ↔ BWV 1038
1024	II		Sonata[scores]	Cmin.	Vl Bc		VI/5
1031	II		Sonata	E♭maj.	Fl Hc	9: 22	VI/5: 13	by Bach, C.P.E.? (H545)
1033	II		Sonata	Cmaj.	Fl Bc	431: 3	VI/5: 3	by Bach, C.P.E.? (H564.5)
1038	II	1732–1735	Sonata	Gmaj.	Fl Vl Bc	9: 219	VI/5: 45	by Bach, C.P.E.? (H590.5); after BWV 1021; ↔ BWV 1022
525a	II		Concerto (Trio sonata)	Cmaj.	Vl Vc Bc		VI/5	after BWV 525/1, 1032/2, 525/3
II 155	II		Concerto	Amaj.	Kb Str Bc		VI/5
I 22	II		Concerto[scores]	B♭maj.	Ob Vl Str Bc		VI/5	by Förster (C.?)?
1070	II		Orchestral Suite (No.5)	Gmin.	Str Bc	451: 190	VI/5	by Bach, W. F.?
Anh.III	Works of other composers, spuriously attributed to Bach	Up ↑
III 156	III		Cantata Herr Christ, der einge Gottes Sohn (Annunciation)		SATB Str Bc			by Telemann (TWV1:732)
III 157	III		Cantata Ich habe Lust zu scheiden (Purification)		s 2Fl Str Bc			by Telemann (TWV1:836)
15	III	1726-04-21 (JSB)	Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter)		satbSATB 3Tr Tmp Str Bc	2: 135	I/41	by Bach, J.L. (JLB21); text in Meiningen 1704
141	III		Cantata Das ist je gewißlich wahr (3rd Sunday of Advent)		atbSATB 2Ob Str Bc	30: 3	I/41	by Telemann (TWV1:183)
145/b	III		Cantatamovement So du mit deinem Munde bekennest Jesum (Easter)	Dmaj.	SATB Tr Str Bc	30: 96	I/10: 142	by Telemann (TWV1:1350/1)
160	III	1725–1732?	Cantata Ich weiß, daß mein Erlöser lebt (Easter)	Cmaj.	t Vl Bas Bc	32: 171	I/41	by Telemann (TWV1:877)
218	III		Cantata Gott der Hoffnung erfülle euch (Pentecost)		satbSATB 2Hn Str Bc	41: 223		by Telemann (TWV1:634)
219	III		Cantata Siehe, es hat überwunden der Löwe (Michaelmas)		sabSATB Str Bc	41: 239		by Telemann (TWV1:1328)
222	III		Cantata Mein Odem ist schwach (Purification)		sabSATB Str Bc			by Bach, J.Ernst; → BWV Anh. 165
III 158	III		Aria "Andrò dall'colle al Prato"		s 2Fl (2Hn) Str Bc			by Bach, J.C.
III 160	III	1750–1755? (Harrer?)	Motet Jauchzet dem Herrn alle Welt, TWV8:10	Cmaj.	2SATB		III/3: 15	after Telemann (/1; /3 after TWV1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100
III 161	III		Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas)	Dmaj.	SATB Str? Bc		III/3	by Graun (C. H.?), precedes laudes A and B of BWV 243a
III 162	III		Motet Lob und Ehre und Weisheit und Dank		2SATB		III/3	by Wagner, G. G.
III 163	III		Motet Merk auf, mein Herz, und sieh dorthin		2SATB		III/3	by Bach, J.B. or J.Ernst
III 164	III		Motet Nun danket alle Gott[scores]		SSATB		III/3: 52	by Altnickol
III 165	III		Motet Unser Wandel ist im Himmel		SATB		III/3	by Bach, J.Ernst; after BWV 222/3 /4 /6
III 166	III	1716 (JLB) 1729 (JSB)	Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr"	Emin.	SSATB 2Vl 2Vla Vc Bc	111:XV 41:276	II/9	by Bach, J.L. (JLB 38), start of Gloria arr. by Bach
II 24	III	1715–1717, 1724 (JSB)	Kyrie–Gloria Mass	Amin.	SATB Str Bc	111:XV	II/9	after Missa Sancti Lamberti by Pez, J.C.
II 26	III	1727–1732 (JSB)	Kyrie–Gloria Mass[scores]	Cmin.	satbSATB 3Tbn 2Vl Bc	41: 193 111:XVI	II/2: 295	by Durante (alternative Christe: BWV 242)
II 27	III	c.1745? (JLK)	Sanctus	Fmaj.	SATB 2Hn 2Ob Str Bc	111:XVII	II/9	by Krebs, J.L. (Krebs‑WV104)
III 168	III	c.1747? (WFB)	Kyrie and German Gloria	Gmin.	sSATB Str Bc	111:XVII	II/9	by Bach, W. F. (BRE1 F100)
I 21	III	c.1707 (MH)	Magnificat Meine Seel erhebt den Herren	Amin.	s Fl 2Vl Bc	111:XVIII	II/9	by Hoffmann, M.
III 169	III	1724–1725	Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum					text by Picander partly used in BWV 244 but no other known setting
8/6	III	1713 (Vet.) 1724-09-24 (JSB)	choralesetting "Liebster Gott, wenn werd ich sterben" (s.5)	Emaj.	SATB	1: 241	I/23:161	by Vetter, D. (Z 6634); text by Neumann
III/2.1:63 III/2.2:25
Dmaj.		I/23:219
27/6	III	1652 (Ros.) 1726-10-06 (JSB)	choralesetting "Welt, ade, ich bin dein müde" (s.1)	B♭maj.	SSATB	51: 244	I/23: 251	by Rosenmüller (Z 6531); text by Albinus
III 170	III/2.2: 86
43/11	III	1652 (Pet.) 1726-05-30 (JSB)	choralesetting "Du lebensfürst, Herr Jesu Christ"[choralwiki] (ss.1, 13)	Gmaj.	SATB	10: 126	I/12: 164	by Peter[de] after Z 5741b; text by Rist
choralesetting "Ermuntre dich, mein schwacher Geist"	III/2.1:74 III/2.2:57
567	III		Prelude	Cmaj.	Organ	38: 84	IV/11	by Krebs, J.L. (Krebs‑WV401)
III 178	III	last third of 17th century	Toccata quasi Fantasia con Fuge	Amaj.	Organ	42: 250	V/12	by Reincken?
II 43	III	c.1788	Fugue[scores]	Bmin.	Organ		IV/11	by Pölitz[de]; after H776/18
II 44	III		Fugue[scores]	Gmaj.	Organ		IV/11	by Kellner, J.P. or J.C.
II 45	III	c.1799	Fugue[scores] onB-A-C-H	B♭maj.	Organ		IV/11	by Knecht
II 88	III	1765	Fugue[scores]	Cmaj.	Keyboard		V/12	by Kellner, J.C.
II 97	III		Fugue[scores]	F♯maj.	Keyboard	42:XXXV	IV/11: 63	by Krebs, J.L. (Krebs‑WV409/2)
II 103	III	c.1711–1718 (GFH)	Fugue[scores]	Amin.	Keyboard		V/12	by Handel (HWV 609[scores])
II 104	III	c.1711–1718 (GFH)	Fugue[scores]	Cmin.	Keyboard		V/12	by Handel (HWV 610[scores])
II 105	III	c.1711–1718 (GFH)	Fugue[scores]	B♭maj.	Keyboard		V/12	by Handel (HWV 607[scores])
II 106	III	c.1711–1718 (GFH)	Fugue[scores]	Gmin.	Keyboard		V/12	by Handel (HWV 605[scores])
N 208	III	1747 (JEE)	Fugue	E♭min.	Keyboard		IV/11	After Toccata nona[scores] by Eberlin
II 46	III		Trio[scores]	Cmin.	Organ		IV/11	by Krebs, J.T.
692	III		choralesetting "Ach Gott und Herr" (Kirnb. coll. No.3)	Cmaj.	Organ	40: 4	IV/11	by Walther; after BWV 692a
692a	III		choralesetting "Ach Gott und Herr" (early version)	Cmaj.	Organ	40: 152	IV/11	by Walther; → BWV 692
693	III		choralesetting "Ach Gott und Herr" (Kirnb. coll. No.4)	Cmaj.	Organ	40: 5	IV/11	by Walther
723	III		choralesetting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection)		Organ	40: 63		after Z 1947; by Bach, J.Michael
740	III		choralesetting "Wir glauben all an einen Gott"		Organ	40: 103		after Z 4000; by Krebs, J.L. (Krebs‑WV 554c)
744	III		choralesetting "Auf meinen lieben Gott"		Organ	40: 170	IV/10: 20	after Z 2164; by Krebs, J.L. (Krebs‑WV 517)
746	III	1715 or earlier (JCFF)	choralesetting "Christ ist erstanden"	Dmin.	Organ	40: 173	IV/10	by Fischer (Ariadne Musica[scores] No.24)
748	III	1700–1739	choralesetting "Gott der Vater wohn uns bei"	Dmaj.	Organ	40: 177	IV/10	by Walther; → BWV 748a
748a	III	1700–1789	choralesetting "Gott der Vater wohn uns bei" (variant)	Dmaj.	Organ		IV/10	by Scholz (arr.)?; after BWV 748
751	III		choralesetting "In dulci jubilo"[scores] (also in Neumeister Collection)		Organ		IV/10	by Bach, J.Michael
759	III		choralesetting "Schmücke dich, o liebe Seele"	Fmaj.	Organ	40: 181	IV/10	by Homilius (HoWV VIII.17[scores])
760	III		choralesetting "Vater unser im Himmelreich"		Organ	40: 183	IV/10	by Böhm
761	III		choralesetting "Vater unser im Himmelreich"		Organ	40: 184	IV/10	by Böhm
1096	III		choralesetting "Christe, der du bist Tag und Licht"[scores] (3 versions; Neumeister Chorales No.8)	Amin.	Organ		IV/9: 16, 76	by Pachelbel?
choralesetting "Wir danken dir, Herr Jesu Christ"[scores] (3 versions; Neumeister Chorales No.8)
771	III		choralesetting "Allein Gott in der Höh sei Ehr"	Gmaj.	Organ	40: 195	IV/11	by Vetter, A. N.
II 47	III		choralesetting "Herzlich tut mich verlangen"[scores]	Amin.	Organ		IV/10	by Kellner, J.P.
choralesetting "Ach Herr, mich armen Sünder"[scores]
II 56	III	1735 (Telem.)	choralesetting "Herr Jesu Christ dich zu uns wend"[scores]		Organ		IV/10	by Telemann (TWV31:8)
II 57	III		choralesetting "Jesu Leiden, Pein und Tod"[scores]		Organ		IV/10	by Vogler
II 61	III		choralesetting "O Mensch, bewein dein Sünde groß"[scores]	Fmaj.	Organ		IV/10	by Pachelbel (P396)
II 73	III	1720–1788	choralesetting "Ich ruf zu dir, Herr Jesu Christ"[scores]	Fmin.	Organ		IV/10	by Bach, C.P.E.; after BWV 639
III 171	III		choralesetting "Christ lag in Todesbanden"[scores]		Organ	40: 174	IV/10	by Pachelbel (P58)
III 172	III		choralesetting "Herr Jesu Christ, dich zu uns wend"[scores]	Gmaj.	Organ		IV/10	by Krebs, J.L. (Krebs‑WV524)
824	III	1720 (WFB)	Klavierbüchlein WFB No.47: Suite	Amaj.	Keyboard	36: 231	V/5: 78	by Telemann (TWV32:14)
835	III	1761 (Kirnb.)	Allemande	Amin.	Keyboard	42: 267	V/12	by Kirnberger (EngK74)
838	III		Allemande and Courante	Amaj.	Keyboard	42: 265	V/12	by Graupner (GWV 849/2 /3)
840	III		Courante[scores]	Gmaj.	Keyboard		V/12	by Telemann (TWV32:13/2)
897/1	III	c.1736–1743 (CHD)	Prelude	Amin.	Keyboard	42: 173	V/12	by Dretzel ("Adagiosissimo")
962	III	c.1783 (JGA)	Fugue	Emin.	Keyboard	42: 198	V/12	by Albrechtsberger (Op.1/8)
970	III		Toccatina No.6 Presto	Dmin.	Keyboard	42:XXXIV	V/12	by Bach, W. F. (BRA49 F25/2)
II 94	III	1774 (Kirnb.)	Fugue[scores]	Emin.	Keyboard	42:XXXIV	V/12	by Kirnberger (EngK35)
II 107	III		Fugue[scores] onB-A-C-H	Cmaj.	Keyboard	42:XXXIV	V/12	by Sorge?
II 108	III		Fugue[scores] onB-A-C-H	Cmaj.	Keyboard	42:XXXIV	V/12	by Bach, C.P.E. (H373) or Sorge?
II 110	III		Fugue[scores] onB-A-C-H	Cmin.	Keyboard	42:XXXIV	V/12	by Sorge?
II 112	III	1780 (Kirnb.)	Grave[scores]	Emin.	Keyboard		V/12	by Kirnberger (EngK16)
II 114	III	1725 (AMB)	Notebook A.M. Bach (1725) No.4 Minuet	Gmaj.	Keyboard	432: 26	V/4: 83	by Petzold
II 115	III	1725 (AMB)	Notebook A.M. Bach (1725) No.5 Minuet	Gmin.	Keyboard	432: 26	V/4: 84	by Petzold
II 122	III	1725 (CPE)	Notebook A.M. Bach (1725) No.16 March	Dmaj.	Keyboard	432: 32	V/4: 94	by Bach, C.P.E. (H 1/1)
II 123	III	1725 (CPE)	Notebook A.M. Bach (1725) No.17 Polonaise	Gmin.	Keyboard	432: 32	V/4: 95	by Bach, C.P.E. (H 1/2)
II 124	III	1725 (CPE)	Notebook A.M. Bach (1725) No.18 March	Gmaj.	Keyboard	432: 33	V/4: 96	by Bach, C.P.E. (H 1/3)
II 125	III	1725 (CPE)	Notebook A.M. Bach (1725) No.19 Polonaise	Gmin.	Keyboard	432: 33	V/4: 97	by Bach, C.P.E. (H 1/4)
II 129	III	1725 (AMB)	Notebook A.M. Bach (1725) No.27 Solo per il cembalo	E♭maj.	Keyboard	432: 38	V/4: 104	by Bach, C.P.E. (H 16)
II 130	III	1725 (AMB)	Notebook A.M. Bach (1725) No.28 Polonaise	Gmaj.	Keyboard	432: 39	V/4:106	by Hasse
II 131	III	c.1745?	Notebook A.M. Bach (1725) No.32	Fmaj.	Keyboard	432: 46	V/4: 121	by Bach, J.C. (WA22)
II 133	III	1763 or later	Musical clock[scores] No.1 Fantasia	Gmaj.	Musicalclock		V/12	by Bach, W.F. (BRA63 F207)
II 134	III	1763 or later	Musical clock[scores] No.2 Scherzo	Gmaj.	Musical clock		V/12	by Bach, W.F. (BRA64 F207)
II 135	III	1763 or later	Musical clock[scores] No.3 Bourlesca	Amin.	Musical clock		V/12	by Bach, W.F. (BRA65 F207)
II 136	III	1763 or later	Musical clock[scores] No.4 Trio	Amin.	Musical clock		V/12	by Bach, W.F. (BRA66 F207)
II 137	III	1763 or later	Musical clock[scores] No.5 L'Intrada della Caccia	E♭maj.	Musical clock		V/12	by Bach, W.F. (BRA67 F207)
II 138	III	1763 or later	Musical clock[scores] No.6 Continuazione della Caccia	E♭maj.	Musical clock		V/12	by Bach, W.F. (BRA68 F207)
II 139	III	1763 or later	Musical clock[scores] No.7 IlFine delle Caccia I	Dmaj.	Musical clock		V/12	by Bach, W.F. (BRA69 F207)
II 140	III	1763 or later	Musical clock[scores] No.8 IlFine delle Caccia II	Dmin.	Musical clock		V/12	by Bach, W.F. (BRA70 F207)
II 141	III	1763 or later	Musical clock[scores] No.9 Song "O Gott die Christenheit"	Fmaj.	Musical clock		V/12	by Bach, W.F. (BRA71 F207)
II 142	III	1763 or later	Musical clock[scores] No.10 Psalm 110	Amin.	Musical clock		V/12	by Bach, W.F. (BRA72 F207)
II 143	III	1763 or later	Musical clock[scores] No.11 Polonaise	Emin.	Musical clock		V/12	by Bach, W.F. (BRA73 F207)
II 144	III	1763 or later	Musical clock[scores] No.12 Polonaise Trio	Amin.	Musical clock		V/12	by Bach, W.F. (BRA74 F207)
II 145	III	1763 or later	Musical clock[scores] No.13 March	Cmaj.	Musical clock		V/12	by Bach, W.F. (BRA75 F207)
II 146	III	1763 or later	Musical clock[scores] No.14 March	Fmaj.	Musical clock		V/12	by Bach, W.F. (BRA76 F207)
II 147	III	1763 or later	Musical clock[scores] No.15 La Combattuta	Gmaj.	Musical clock		V/12	by Bach, W.F. (BRA77 F207)
II 148	III	1763 or later	Musical clock[scores] No.16 Scherzo	Gmin.	Musical clock		V/12	by Bach, W.F. (BRA78 F207)
II 149	III	1763 or later	Musical clock[scores] No.17 Minuet	Gmaj.	Musical clock		V/12	by Bach, W.F. (BRA79 F207)
II 150	III	1763 or later	Musical clock[scores] No.18 Trio	Gmin.	Musical clock		V/12	by Bach, W.F. (BRA80 F207)
III 177	III		Prelude and Fugue	E♭maj.	Keyboard	36: 88	V/12: 134	by Bach, J.Christoph?
III 179	III	1728 (JDH)	Fantasia durch alle Tonarten gehend[scores]	Amin.	Keyboard		V/12	by Heinichen
III 180	III		Fugue	Dmin.	Keyboard	36: 188	V/12	by Kellner, J.P.
III 181	III		Fugue[scores]	Amin.	Keyboard		V/12	by Krebs, J.L. (Krebs‑WV825/2)
III 182	III		Passacaglia	Dmin.	Keyboard	42: 234	V/12	by Witt
III 183	III	1725 (AMB)	Notebook A.M. Bach (1725) No.6 Rondeau	B♭maj.	Keyboard	432: 27	V/4: 85	by Couperin (6ième Ordre: Les Bergeries)
1036	III	1731 (CPE)	Trio	Dmin.	Vl Hc (2Vl Bc)		VI/5	by Bach, C.P.E. (H569; Wq145)
1037	III	c.1740s (JGG)	Sonata	Cmaj.	2Vl Bc	9: 229	VI/5	by Goldberg
III 173	III	1712 (FAB) c.1723 (JSB)	Invention	Bmin.	Vl Kb	451: 172	VI/5	by Bonporti (Op.10 No.2)
III 174	III	1712 (FAB) c.1723 (JSB)	Invention	B♭maj.	Vl Kb	451: 176	VI/5	by Bonporti (Op.10 No.5)
III 175	III	1712 (FAB) c.1723 (JSB)	Invention	Cmin.	Vl Kb	451: 181	VI/5	by Bonporti (Op.10 No.6)
III 176	III	1712 (FAB) c.1723 (JSB)	Invention	Dmaj.	Vl Kb	451: 185	VI/5	by Bonporti (Op.10 No.7)
III 184	III	c.1747 (Zuc.)	Sonata	Amin.	Vl Bc		VI/5	by Zuccari (Op.1[scores] No.10)
III 185	III		Sonata	Dmaj.	2Vl Bc		VI/5	by Bach, C.P.E. (H585; ≈H507; Wq74)
III 186	III		Sonata[scores]	Fmaj.	2Vl Bc		VI/5	by Bach, C.P.E. (H576; Wq154)
III 187	III		Sonata (Trio)[scores]	Fmaj.	Bas Fl Vne		VI/5	by Bach, C.P.E. (H589)
III 188	III	c.1740 (WFB)	Sonata (Concerto)	Fmaj.	2Hc	431: 47	V/12	by Bach, W.F. (BRA12 F10)
I 23	III	1710 (Alb.) c.1710 (JSB)	Concerto[scores]	Emin.	2Vl Va Vc Vne		VI/5	by Albinoni (Op.2 No.4 = 2nd Concerto)
III 189	III	1745–1747 (JSB)	Concerto[scores]	Amin.	Hc Str Bc		VI/5	by Bach, C.P.E. (H403; Wq1)
Anh. N	New additions to the Anhang	Up ↑

Sources

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External links

Authority file(Wikidata):Q79203188
at (in German)