C major
In-game article clicks load inline without leaving the challenge.
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor.
The C major scale is:
These are less common and mostly used in jazz. Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are:
On the piano, the C major scale can be played by playing only the white keys starting on C.
Scale degree chords
The scale degree chords of C major are:
- Tonic – C major
- Supertonic – D minor
- Mediant – E minor
- Subdominant – F major
- Dominant – G major
- Submediant – A minor
- Leading-tone – B diminished
Compositions
Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" and are of a primarily celebratory mood. Wilfrid Mellers believed that Mozart's Symphony No. 41, written in 'white' C major, "represented the triumph of light". (See also List of symphonies in C major.)
Many masses and settings of the Te Deum in the Classical era were in C major. Mozart and Haydn wrote most of their masses in C major. Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C.
Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major".
Scott Joplin's "The Entertainer" is written in C major.
Many musicians have stated that every musical key conjures up specific feelings. This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". Sibelius's Symphony No. 7 is in C major and that key was of great importance in his previous symphonies.
Notable examples
- Johann Sebastian Bach Toccata, Adagio and Fugue in C major, BWV 564 Prelude and Fugue in C major, BWV 846 Sonata No. 3 in C major, BWV 1005 Cello Suite No. 3, BWV 1009
- Joseph Haydn Cello Concerto No. 1 (1761–65) Symphony No. 7, Le Midi (1761) Symphony No. 60, Il distratto (1774) Symphony No. 82, The Bear (1786) String Quartet No. 32, The Bird (1781) String Quartet No. 62, Emperor (1797–98) Mass No. 10, Missa in tempore belli (1796)
- Wolfgang Amadeus Mozart 12 Variations in C major on the French song "Ah, vous dirai-je, Maman", KV 265 Concerto for flute and harp, KV 299/297c Piano Concerto No. 8, KV 246 ("Lützow") Piano Concerto No. 13, KV 415 Piano Concerto No. 21, KV 467 Piano Concerto No. 25, KV 503 Piano Sonata No. 1, KV 279 Piano Sonata No. 7, KV 309 Piano Sonata No. 10, KV 330 Piano Sonata No. 16, KV 545 String Quartet No. 19, KV 465 ("Dissonance") Symphony No. 16, KV 128 Symphony No. 22, KV 162 Symphony No. 28, KV 200 Symphony No. 34, KV 338 Symphony No. 36, KV 425 ("Linz") Symphony No. 41, KV 551 ("Jupiter")
- Ludwig van Beethoven Piano Sonata No. 3, Op. 2, No. 3 Piano Concerto No. 1, Op. 15 Symphony No. 1, Op. 21 Rondo Op. 51, No. 1 Piano Sonata No. 21, Op. 53 ("Waldstein") Triple Concerto for violin, cello, and piano in C major, Op. 56 String Quartet No. 9, Op. 59/3 ("Rasumovsky") Mass in C major, Op. 86
- Franz Schubert Wanderer Fantasy, Op. 15 D. 760 Fantasy for violin and piano, D. 934 Sonata for 4-hands, D. 812 (Grand Duo) Symphony No. 6 (Little) Symphony No. 9, D. 944 ("Great") String Quintet in C major, D. 956
- Felix Mendelssohn Wedding March from A Midsummer Night's Dream
- Frédéric Chopin Introduction and Polonaise brillante for cello and piano, Op. 3 Etude Op. 10 No. 1 "Waterfall" Etude Op. 10 No. 7 "Toccata" Mazurka Op. 67 No. 3
- Robert Schumann Toccata, Op. 7 Fantasie in C, Op. 17 Arabeske, Op. 18 Symphony No. 2, Op. 61
- Anton Bruckner Te Deum
- Georges Bizet Symphony in C Souvenirs de Rome
- Jean Sibelius Symphony No. 3, Op. 52 (1907) Symphony No. 7, Op. 105 (1924)
- Maurice Ravel: Boléro
- Igor Stravinsky: Symphony in C (1940)
- Sergei Prokofiev Piano Concerto No. 3, Op. 26 (1921) Symphony No. 4 (original version), Op. 47 (1930) Symphony No. 4 (revised version), Op. 112 (1947)
- Dmitri Shostakovich: Symphony No. 7, Op. 60 ("Leningrad")
- Terry Riley: In C
- Duke Ellington: "C Jam Blues"
See also
Further reading
- David Wyn Jones, "The Beginning of the Symphony", in A Guide to the Symphony edited by Robert Layton. Oxford University Press.
- H. C. Robbins Landon, Haydn Symphonies, BBC Music Guides 1986 [1966] ISBN 9780563205159 OCLC
External links
- Media related to C major at Wikimedia Commons
- , muted.io
- , musicmaster.in