Nazm
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Nazm (Urdu:نَظْم,romanized:naẓm,lit.'order, arrangement, sequence') is a major part of Urdu, Punjabi and Sindhi poetry that is normally written in rhymed verse and also in modern prose-style poems. Nazm is a significant genre of Urdu, Punjabi and Sindhi poetry; the other one is known as ghazal.
Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws. The title of the nazm itself holds the central theme as a whole. While writing nazm, it is not important to follow any rules as it depends on the writer. A nazm can be long or short and there are no restrictions on size or rhyme scheme. All the verses written in a nazm are interlinked.
Forms of nazm
The following are the different forms of nazm:
- Doha (دوہا)
- Geet (گیت)
- Hamd (حمد)
- Hijv (ہجو)
- Kafi (کافی)
- Madah (مدح)
- Manqabat (منقبت)
- Marsiya (مرثیہ)
- Masnavi (مثنوی)
- Munajat (مناجات)
- Musaddas (مسدس)
- Mukhammas (مخمس)
- Naʽat (نعت)
- Noha (نوحہ)
- Qasida (قصیدہ)
- Qat'ã (قطعہ)
- Qawwali (قوالی)
- Rubai (رباعی) (also called rubayyat or rubaiyat) (رباعیات)
- Salaam (سلام)
- Sehra (سہرا)
- Shehr a'ashob (شہر آشوب)
- Soz (سوز)
- Wasokht (وسوخت)
- Tarana (ترانہ)
Urdu nazm poets
Notable nazm poets include: