Olimpie

Olimpie (also spelled Olympie) is an opera in three acts by Gaspare Spontini. The French libretto, by Armand-Michel Dieulafoy and Charles Brifaut, is based on the play of the same name[fr] by Voltaire (1761). Olimpie was first performed on 22 December 1819 by the Paris Opéra at the Salle Montansier. When sung in Italian or German, it is usually given the title Olimpia.

Background

The story takes place in the aftermath of the death of Alexander the Great, who left a vast empire, stretching from Macedonia through Persia to the Indian Ocean. His surviving generals fought for control of the empire and divided it up. Two of the historical characters in Voltaire's play and Spontini's opera, Cassander and Antigonus, were among the rivals competing for parts of the empire. Antigonus was one of Alexander's generals, while Cassander was the son of another of Alexander's generals, Antipater. Alexander's widow, Statira was supposedly killed by Alexander's first wife Roxana shortly after his death, but in Voltaire's play and Spontini's opera, she survives incognito, as a priestess of Diana in Ephesus. The title character Olimpie, daughter of Statira and Alexander, is likely entirely fictional.

It wasn't long after the death of Alexander that people began to glorify and mythologize his life. By the 3rd century it was believed by many that he was a mortal who had been selected by the gods to perform his heroic deeds. Although it is now thought that Alexander died from a fever, for many centuries it was believed he was murdered. The 'Alexander Romance', which first appeared at that time, obscured the true explanation of his death: "the speaking trees of the Amazons were said to have told him of his early death during his last battle. Alexander would die after drinking a poisonous mixture served to him by his valet Iolus upon his return." It is not surprising, that Voltaire and Spontini's librettists Dieulafoy and Brifaut also assume that Alexander was murdered. Cassander's father Antipater was often designated as the leader of a poisoning plot, and Cassander himself was well known for his hostility to the memory of Alexander.

The work and its performance history

Spontini began composing Olimpie in 1815. It was his third major, 3-act work for the Paris Opera. In it, he "combined the psychologically exact character-drawing of La vestale [of 1807] with the massive choral style of his Fernand Cortez [of 1809] and wrote a work stripped of spectacular effects. In its grandiose conception, it appears the musical equivalent of neoclassical architecture." The Parisian premiere received mixed reviews, and Spontini withdrew it after the seventh performance (on 12 January 1820), so he could revise the finale with a happy rather than tragic ending.

The first revised version was given in German as Olimpia in Berlin, where it was conducted by Spontini, who had been invited there by Frederick William III to become the Prussian General Musikdirector. E. T. A. Hoffmann provided the German translation of the libretto. This version was first staged on 14 May 1821 at the Königliches Opernhaus, where it was a success. After 78 performances in Berlin, it was given productions in Dresden (12 November 1825, with additions by Carl Maria von Weber), Kassel, Cologne, and Darmstadt (26 December 1858).

Olimpie calls for huge orchestral forces (including the first use of the ophicleide). The finale of the Berlin version included spectacular effects, in which Cassandre rode in on a live elephant. Thus, like La vestale and Fernand Cortez, the work prefigures later French Grand Opera.

Spontini revised the opera a second time, retaining the happy ending for its revival by the Opéra at the Salle Le Peletier on 27 February 1826. Adolphe Nourrit replaced his father Louis in the role of Cassandre, and an aria composed by Weber was also included. Even in its fully revised form, the opera failed to hold the stage. Audiences found its libretto too old-fashioned, and it could not compete with the operas of Rossini.

The opera was given in Italian in concert form in Rome on 12 December 1885 and revived more recently in Florence in 1930, at La Scala in Milan in 1966 (for which a sound recording is available), and at the Perugia Festival in 1979.

Roles

Synopsis

Place: Ephesus

Time: 308 BC, 15 years after the death of Alexander the Great

Act 1

The square in front of the Temple of Diana

Antigone, King of a part of Asia, and Cassandre, King of Macedon, have been implicated in Alexander's murder. They have also been at war with one another but are now ready to be reconciled. Nevertheless, a new obstacle to peace arises in the form of the slave girl Aménais, with whom both the kings are in love. In reality, Aménais is Alexander the Great's daughter, Olimpie, in disguise. Statira, Alexander's widow and Olimpie's mother, has also assumed the guise of the priestess Arzane. She denounces the proposed marriage between "Aménais" and Cassandre, accusing the latter of Alexander's murder.

Act 2

Statira and Olimpie reveal their true identities to one another and to Cassandre. Olimpie defends Cassandre against Statira's accusations, claiming that he once saved her life. Statira is unconvinced and is still intent on revenge with the help of Antigone and his army.

Act 3

Olimpie is divided between her love for Cassandre and her duty to her mother. The troops of Cassandre and Antigone clash and Antigone is mortally wounded. Before dying he confesses he was responsible for the death of Alexander, not Cassandre. Cassandre and Olimpie are now free to marry.

[In the original 1819 Paris version, Cassander is the murderer of Alexander and after his victory, "Statira stabs herself on stage and, together with Olympia, she is called to the Lord by the spirit of Alexander, who emerges from his grave (in Voltaire's drama, Olympia is married to Antigonus and throws herself into the blazing pyre in a confession of her love for Cassander)."

Recordings

Notes

Sources

• Casaglia, Gherardo (2005).. L'Almanacco di Gherardo Casaglia (in Italian).
• Casaglia, Gherardo (2005).. L'Almanacco di Gherardo Casaglia (in Italian).
• Casaglia, Gherardo (2005).. L'Almanacco di Gherardo Casaglia (in Italian).
• Everett, Andrew (2013). Josephine's Composer: The Life Times and Works of Gaspare Pacifico Luigi Spontini (1774-1851). Bloomington, Indiana: AuthorHouse. ISBN 9781477234143.
• Gerhard, Anselm (1992). "Olimpie". In Stanley Sadie (ed.). The New Grove Dictionary of Opera. Vol. 3. London. pp. 664–665. ISBN 0333734327.{{cite book}}: CS1 maint: location missing publisher (link). Also (subscription required).
• Lajarte, Théodore (1878). Bibliothèque musicale du Théâtre de l'Opéra. Vol. 2 [1793–1876]. Paris: Librairie des Bibliophiles.
• Loewenberg, Alfred (1978). Annals of Opera 1597–1940 (third, revised ed.). Totowa, New Jersey: Rowman and Littlefield. ISBN 9780874718515.
• Macdonald, Hugh (2001). "Gaspare Spontini". In Amanda Holden (ed.). The New Penguin Opera Guide. New York: Penguin Putnam. pp. 869–871. ISBN 0-140-29312-4.
• Müller, Christa (1984). "Spontini and his Olympie", translated by Roger Clément. Booklet included with the Orfeo recording conducted by Gerd Albrecht. OCLC
• Parker, Bill (2003). "Olimpia". Booklet included with the conducted by Molinari-Pradelli. Portland, Oregon: Allegro. OCLC
• Pitou, Spire (1990). "Olympie". The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Growth and Grandeur, 1815–1914. New York: Greenwood Press. pp. 963–967. ISBN 9780313262180.
• Pougin, Arthur (1880). . Biographie universelle des musiciens et Bibliographie générale de la musique par F.-J. Fétis. Supplément et complément. Vol. 2. Paris: Firmin-Didot. pp. 597–598.
• Sonneck, O. G. (1922). "Heinrich Heine's Musical Feuilletons". The Musical Quarterly. 8. New York: G. Schirmer: [ 119–159.
• Tamvaco, Jean-Louis (2000). Les Cancans de l'Opéra. Chroniques de l'Académie Royale de Musique et du théâtre, à Paris sous les deux restorations (2 volumes) (in French). Paris: CNRS Editions. ISBN 9782271056856.

External links

• at Harvard University Library
• at Internet Archive
• RISM Spontini's Olimpie, 1825 instrumental parts (some missing) from the Opera Archive of Dresden at RISM (Répertoire International des Sources Musicales)
• at Google Books
• at the Bavarian State Library
• at Gallica
• at Internet Archive
• at Google Books
• at Internet Archive
• Olimpie: Scores at the International Music Score Library Project