Sequenza XI for solo guitar (1987–1988) is one of a series of Sequenzas by Luciano Berio. Written for the American guitarist Eliot Fisk.

Form

The composition is in four large sections, and sets out from the six pitches of the open strings of the guitar. The composer asserted that two intervals are important elements in the work: the perfect fourth (which is the interval found between most neighbouring pairs of the guitar's strings) and the tritone, which leads to a different harmony of Berio's devising.

Usage

Sequenza XI is a standard work for guitarists who have chosen avant-garde modern classical music as a part of their repertoire, e.g., Denis Sung-Hô (performed Sequenzas with members of the ensemble intercontemporain), Stefan Östersjö, Todd Seelye, Mats Scheidegger, Geoffrey Morris, Pablo Gómez, Pablo Márquez, Alan Thomas, Jürgen Ruck, Nico Couck, etc.: it has been recorded numerous times (see below).

Berio's Chemins V (1992) is a work for guitar and ensemble based on Sequenza XI.

Sources

  • Porcaro, Mark D. 2007. "A Polyphonic Type of Listening in and out of Focus: Berio’s Sequenza XI for Guitar". In Berio's Sequenzas: Essays on Performance, Composition, and Analysis, edited by Janet K. Halfyard, 255–274. Aldershot (Hants.); Burlington (Vermont): Ashgate Publishing. ISBN 978-0-7546-5445-2.

External links

  • (work details) (in French and English). IRCAM.
  • (2003 thesis by Mark David Porcaro. Archive from 24 March 2012)
  • edited by Janet K. Halfyard
  • by Yiorgos Vassilandonakis

Performances

Recordings

  • (2001, nosag records) by Magnus Andersson
  • (2009) by Harold Gretton
  • (2001, CD's Audio production by Karim Samah
  • (2006, Mode Records) by Seth Josel
  • (2000, Gale Recordings by Michael Nicolella
  • (2006, Cybele) by Diangelo Cicilia
  • (1997, Antes Concerto editions) by Giulio Tampalini
  • (1999, Acoustic Music Records) by Jens Wagner
  • by Franz Halasz
  • by Njål Vindenes
  • by Pablo Sáinz Villegas
  • (exact same as in compilation Berio Sequenzas) by Eliot Fisk
  • by Todd Seelye
  • by Peter Yates