John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.

Biography

Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims.

Sims began on tenor saxophone at the age of 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sherwood. He joined Benny Goodman's band for the first time in 1943 (he was to rejoin in 1946, and continued to perform with Goodman on occasion through the late 1970s). Sims replaced Ben Webster in Sid Catlett's Quartet of 1944. In May 1944, Sims made his recording debut for Commodore Records in a sextet led by pianist Joe Bushkin, who two months earlier had recorded for the same label as part of Lester Young's Kansas City Six.

Sims served as a corporal in the United States Army Air Force from 1944 to 1946, then returned to music in the bands of Artie Shaw, Stan Kenton, and Buddy Rich. He was one of Woody Herman's "Four Brothers". From 1954–1956 he toured with his friend Gerry Mulligan's sextet, and in the early 1960s, with Mulligan's Concert Jazz Band. Sims played on some of Jack Kerouac's recordings. From the late 1950s to the end of his life, Sims was primarily a freelancer, though he worked frequently in the 1960s and early 1970s with a group co–led with Al Cohn. In the 1970s and 1980s, he also played and recorded regularly with a handful of other musical partners including Bucky Pizzarelli, Joe Venuti, and Jimmy Rowles. In 1975, he began recording for Norman Granz's Pablo Records label. Sims appeared on more than 20 Pablo albums, mostly as a featured solo artist, but also as a backing musician for artists including Count Basie, Sarah Vaughan, and Clark Terry. Between 1974 and 1983, Sims recorded six studio albums with pianist Jimmy Rowles in a quartet setting that critic Scott Yanow wrote feature Sims at his best.

Sims acquired the nickname "Zoot" early in his career while he was in the Kenny Baker band in California. "When he joined Kenny Baker's band as a fifteen-year-old tenor saxophonist, each of the music stands was embellished with a nonsense word. The one he sat behind said 'Zoot.' That became his name." English musician Zoot Money and the Muppets character Zoot were both named after Zoot Sims.

Sims played a 30-second solo on the song "Poetry Man", written by singer Phoebe Snow on her debut eponymous album in 1974. He also played on Laura Nyro's "Lonely Women", on her album Eli and the Thirteenth Confession.

Sims' last studio recording was a November, 1984 trio session featuring bassist Red Mitchell, recorded in Sweden and released in 1985 by Sonet records. He died of lung cancer on March 23, 1985, in New York City, and was buried in Oak Hill Cemetery, in Nyack, New York.

Discography

Sims at Keystone Korner, San Francisco, California, 1983

As leader/co-leader

Compilations

  • The Best of Zoot Sims (Pablo, 1980)
  • That Old Feeling (Chess, 1995) – double–issue CD of two 1956 albums: Zoot and Zoot Sims Plays Alto, Tenor, and Baritone

As sideman

With Pepper Adams Pepper Adams Plays the Compositions of Charlie Mingus (Workshop Jazz, 1964) – rec. 1963 Encounter! (Prestige, 1969) – rec. 1968 With Chet Baker Chet Baker & Strings (Columbia, 1954) – rec. 1953-54 Chet Baker Plays the Best of Lerner and Loewe (Riverside, 1959) With Count Basie The Bosses with Big Joe Turner (Pablo, 1973) Count Basie Jam (Gruppo Editoriale Fabbri, 1981) – rec. 1977 With Al Cohn The Sax Section (Epic, 1956) Son of Drum Suite (RCA Victor, 1960) Jazz Mission to Moscow (Colpix, 1962) With Woody Herman The Thundering Herds (Columbia, 1966) - rec. 1945-1947 Keeper Of The Flame (The Complete Capitol Recordings Of The Four Brothers Band) (Capitol, 1992) - rec. 1948-1949 New Big Herd At The Monterey Jazz Festival (Atlantic, 1960) – rec. 1959 With Quincy Jones This Is How I Feel About Jazz (ABC-Paramount, 1957) – rec. 1956-1957 The Birth of a Band! (Mercury, 1959) Quincy Jones Explores the Music of Henry Mancini (Mercury, 1964) Quincy Plays for Pussycats (Mercury, 1965) – rec. 1959-1965 With Stan Kenton Portraits on Standards (Capitol, 1953) The Kenton Era (Capitol, 1955) – rec. 1940-1954 With Carmen McRae Something to Swing About (Kapp, 1960) – rec. 1959 Ms. Jazz (Groove Merchant, 1974) – rec. 1973 With Gerry Mulligan California Concerts (Pacific Jazz, 1955) – rec. 1954 Presenting the Gerry Mulligan Sextet (EmArcy, 1955) Mainstream of Jazz (EmArcy, 1956) A Profile of Gerry Mulligan (EmArcy, 1959) – rec. 1955-1956 The Arranger (1946-1957) (Columbia, 1977) – rec. 1946-1957 The Gerry Mulligan Songbook (World Pacific, 1958) – rec. 1957 The Concert Jazz Band (Verve, 1960) Gerry Mulligan and the Concert Jazz Band on Tour (Verve, 1962) – rec. 1960 Something Borrowed – Something Blue (Limelight, 1966) With Oliver Nelson Encyclopedia of Jazz (Verve, 1967) – rec. 1965-1966 The Sound of Feeling (Verve, 1968) – rec. 1966-1967 With Sarah Vaughan Vaughan and Violins (Mercury, 1959) – rec. 1958 The Duke Ellington Songbook, Vol. 1 (Pablo, 1979) Linger Awhile: Live at Newport and More (Pablo, 2000) – rec. 1957-1982 With Joe Williams At Newport '63 (RCA Victor, 1963) Having The Blues Under European Sky (Denon, 1985) – live rec. 1970sWith Others Trigger Alpert, Trigger Happy! (Riverside, 1956) Louie Bellson, Louis Bellson Quintet (Norgran, 1955) – rec. 1954 Clifford Brown, Jazz Immortal (Pacific Jazz, 2001) – rec. 1954 Ray Charles, The Genius of Ray Charles (Atlantic, 1959) The Kenny Clarke/Francy Boland Big Band, Jazz Is Universal (Atlantic, 1962) – rec. 1961 Chris Connor, Chris Connor (Atlantic, 1956) Miles Davis, Plays Al Cohn Compositions (Miles Davis and Horns CD) (Prestige, 1956) – rec. 1953 Kenny Dorham, Hot Stuff From Brazil (West Wind, 1990) – rec. 1961 Jon Eardley, The Jon Eardley Seven (Prestige, 1956) – reissued as Zoot Sims Koo Koo (Status, 1965) Booker Ervin, The Book Cooks (Bethlehem, 1961) – rec. 1960 Bill Evans, Loose Blues (Milestone, 1982) – rec. 1962 Art Farmer, The Aztec Suite (United Artists, 1959) Curtis Fuller, South American Cookin' (Epic, 1961) Benny Goodman, Benny Goodman in Moscow (RCA Victor, 1962) Bobby Hackett, Creole Cookin' (Verve, 1967) Coleman Hawkins, The Hawk in Hi Fi with Billy Byers and his orchestra (RCA Victor, 1956) Jutta Hipp, Jutta Hipp with Zoot Sims (Blue Note, 1957) – rec. 1956 Chubby Jackson, All Star Big Band (Prestige, 1950) Jack Kerouac, Blues and Haikus (Hanover-Signature, 1959) – rec. 1958 Irene Kral, SteveIreneo! (United Artists, 1959) Elliot Lawrence, Big Band Modern (Jazztone, 1957) Michel Legrand, After The Rain (Pablo, 1983) – rec. 1982 Stan Levey and Red Mitchell, West Coast Rhythm (Affinity, 1982) – rec. 1954-1955 The Manhattan Transfer, The Manhattan Transfer (Atlantic, 1975) Gary McFarland, Profiles (Impulse!, 1966) Ted McNabb, Big Band Swing (Epic, 1960) – rec. 1959 The Metronome All-Stars, Metronome All-Stars 1956 (Clef, 1956) Charles Mingus, The Complete Town Hall Concert (Blue Note, 1994) – rec. 1962 Red Mitchell, Happy Minors (Bethlehem, 1955) also with Bob Brookmeyer – rec. 1954 Jack Montrose, Arranged by Montrose (Pacific Jazz, 1955) – rec. 1954 Anita O'Day, All the Sad Young Men (Verve, 1962) – rec. 1961 Bud Powell, Live at the Blue Note Café, Paris 1961 Bob Prince, Saxes Inc. (Warner Bros, 1959) Buddy Rich and Lionel Hampton, Transition (Groove Merchant, 1974) Shorty Rogers, Shorty Rogers Courts the Count (RCA Victor, 1954) Jimmy Rushing, The You And Me That Used To Be (RCA, 1971) Lalo Schifrin and Bob Brookmeyer, Samba Para Dos (Verve, 1963) Johnny Smith, Moonlight in Vermont (Roost, 1956) – rec. 1952-53 Phoebe Snow, Phoebe Snow (Shelter, 1974) – rec. 1973 Sonny Stitt, Broadway Soul (Colpix, 1965) Clark Terry, Mother ! Mother ! (Pablo, 1980) – rec. 1979 Joe Venuti, The Joe Venuti Blue Four (Chiaroscuro, 1974) Chuck Wayne, The Jazz Guitarist (Savoy, 1956) – rec. 1953

See also

External links