Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders and legends of the smooth jazz genre. He wrote some of his material and later became an arranger and producer.

Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic", "Reed Seed", "Black Frost", "Winelight", "Inner City Blues", "Let it Flow (For 'Dr. J')", and "The Best is Yet to Come". In addition, he performed very frequently with other artists, including Bill Withers on "Just the Two of Us", Patti LaBelle on "The Best Is Yet to Come", and Phyllis Hyman on "A Sacred Kind of Love".

Early life

Washington was born in Buffalo, New York, on December 12, 1943. His mother was a church chorister, and his father was a collector of old jazz gramophone records and played the saxophone. He grew up listening to the great jazzmen and big band leaders like Benny Goodman and Fletcher Henderson. At the age of 8, Grover Sr. gave Jr. a saxophone. In addition to regular practice, Grover Jr. would sneak into clubs to see famous Buffalo blues musicians. His younger brother, drummer Darryl Washington, would follow in his footsteps. He also had another younger brother named Michael Washington, who was an accomplished gospel music organist who mastered the Hammond B3 organ. Washington was part of a vocal ensemble, the Teen Kings, which included Lonnie Smith.

Career

Early career

Washington left Buffalo and played with a Midwest group called the Four Clefs and then the Mark III Trio from Mansfield, Ohio. Shortly thereafter, he was drafted into the U.S. Army, where he met drummer Billy Cobham. A music mainstay in New York City, Cobham introduced Washington to many New York musicians. After leaving the Army, Washington freelanced his talents around New York City, eventually landing in Philadelphia in 1967. In 1970 and 1971, he appeared on Leon Spencer's first two albums on Prestige Records, together with Idris Muhammad and Melvin Sparks.

Washington's breakthrough occurred when alto saxophonist Hank Crawford was unable to make a recording date with Creed Taylor's Kudu Records, and Washington was chosen as his replacement. This opportunity led to his debut solo album, Inner City Blues. Known for his versatility, Washington played soprano, alto, tenor, and baritone saxophone, gaining recognition for his contributions to jazz and his ability to blend into the mainstream.

Rise to fame

While his first three albums established him as a force in jazz and soul music, it was his fourth album in 1974, Mister Magic, that proved a major commercial success. The album climbed to No. 1 on Billboard's R&B album chart and number 10 on Billboard's Top 40 album chart. The title track reached No. 16 on the R&B singles chart (No. 54, pop). All these albums included guitarist Eric Gale as a near-permanent member in Washington's arsenal. His follow-up on Kudu in 1975, Feels So Good also made No. 1 on Billboard's R&B album chart and No. 10 on the pop album chart. Both albums were major parts of the jazz-funk movement of the mid-1970s.

A string of acclaimed records brought Washington through the 1970s, culminating in the signature piece for everything he would do from then on. Winelight (1980) was the album that defined everything Washington was then about, having signed for Elektra Records, part of the major Warner Music group. The album was smooth, fused with R&B and easy listening feel. Washington's love of basketball, especially the Philadelphia 76ers, led him to dedicate the second track, "Let It Flow", to Julius Erving (Dr. J). The highlight of the album was his collaboration with soul artist Bill Withers, "Just the Two of Us", a hit on radio during the spring and summer of 1981, peaking at No. 2 on the Billboard Hot 100. The album went platinum in 1981, and also won a Grammy Award in 1982 for Best Jazz Fusion Performance ("Winelight"). "Winelight" was also nominated for Record of the Year and Song of the Year.

In the post-Winelight era, Washington is credited for giving rise to a new batch of talent that would make its mark in the late 1980s and early 1990s. He is known for bringing Kenny G to the forefront, as well as artists such as Kirk Whalum, Walter Beasley, Steve Cole, Pamela Williams, Najee, Boney James and George Howard. His song "Mister Magic" is noted as being influential on go-go music starting in the mid-1970s.

Death

On December 17, 1999, five days after his 56th birthday, Washington collapsed while waiting in the green room after performing four songs for The Saturday Early Show, at CBS Studios in New York City. He was taken to St. Luke's-Roosevelt Hospital, where he was pronounced dead at about 7:30 pm. His doctors determined that he had suffered a major heart attack. He is interred at West Laurel Hill Cemetery in Bala Cynwyd, Pennsylvania.

Tributes

A large mural of Washington, part of the Philadelphia Mural Arts Program, is just south of the intersection of Broad and Diamond streets. A Philadelphia middle school in the Olney section of the city is named after Washington. Grover Washington Jr. Middle School caters to fifth- to eighth-grade students interested in the creative and performing arts.

There is a mural dedicated to Grover Washington, Jr. in Buffalo, where he grew up and attended school.

Inductions and other awards

In 1992, Washington was inducted into the Philadelphia Music Alliance Walk Of Fame.

On April 24, 2023, Washington was inducted into the newly established Atlantic City Walk Of Fame, presented by The National R&B Music Society Inc. Washington's daughter Shana Washington was in attendance to accept the honor. Jazz and R&B artist Jean Carn inducted Washington. James Brown, The Delfonics and Little Anthony & The Imperials were also inducted in the inaugural class.

Equipment

Equipment
InstrumentBrand/ModelMouthpieceReed
Soprano SaxophoneH. Couf Superba I, black nickel platedRunyon Custom No. 8Rico Royal No. 5
Alto SaxophoneSelmer Mark VINew York Meyer U.S.A. 7MMRico Royal No. 5
Tenor SaxophoneH. Couf Superba I, gold platedBerg Larsen Hard Rubber 130/0Rico Royal No. 5

(Although he was later photographed with Keilwerth SX90 and SX90R black nickel plated soprano, alto, and tenor saxophones on album covers, he rarely played them live or in the studio.)

Discography

Albums

As leader

YearAlbumPeak chart positionsCertifications
US 200US R&BUS JazzAUSUK
1972Inner City Blues6284
All the King's Horses111201
1973Soul Box100261
1975Mister Magic1011
Feels So Good1011
1976A Secret Place3171
1977Live at The Bijou1141
1978Reed Seed3571
1979Paradise24152
1980Skylarkin'2481
Winelight5213534BPI: Silver
1981Come Morning28198
Baddest96405
Anthology1494411
1982The Best Is Yet to Come5081100
1984Inside Moves79213
1986A House Full of Love1255225
1987Strawberry Moon6629100
1988Then and Now2
1989Time Out of Mind601
1992Next Exit149261
1994All My Tomorrows2
1996Soulful Strut187452
1997Breath of Heaven: A Holiday Collection7
2000Aria
Anything marked with a – does not have a rating.

As sideman

With Eddie Henderson Inspiration (Milestone, 1995) – rec. 1994 Tribute to Lee Morgan (NYC Music, 1995) With Boogaloo Joe Jones No Way! (Prestige, 1971) – rec. 1970 What It Is (Prestige, 1971) With Johnny "Hammond" Smith What's Going On (Prestige, 1971) Breakout (Kudu, 1971) Wild Horses Rock Steady (Kudu, 1972) – rec. 1971 With Leon Spencer Sneak Preview! (Prestige, 1971) – rec. 1970 Louisiana Slim (Prestige, 1971)With others Kathleen Battle, So Many Stars (Sony, 1995) Kenny Burrell, Togethering (Blue Note, 1985) – recorded in 1984 Hank Crawford, Help Me Make it Through the Night (Kudu, 1972) Charles Earland, Living Black! (Prestige, 1971) – live recorded in 1970 Dexter Gordon, American Classic (Elektra Musician, 1982) Urbie Green, Señor Blues (CTI, 1977) Masaru Imada, Blue Marine (Trio, 1982) The Mark III Trio, Let's Ska at the Ski Lodge (Downhill, 1964) Idris Muhammad, Power of Soul (Kudu, 1974) Gerry Mulligan, Dragonfly (Telarc Jazz, 1995) Don Sebesky, Giant Box (CTI, 1973) Lonnie Smith, Mama Wailer (Kudu, 1971) Melvin Sparks, Spark Plug (Prestige, 1971) Urban Knights, Urban Knights I (GRP, 1995) Mal Waldron, My Dear Family (Evidence, 1993) Randy Weston, Blue Moses (CTI, 1972) Bill Withers, Just the Two of Us (Columbia, 1981)

Singles

YearSinglePeak chart positionsCertifications
US PopUS R&BUK
1971"Inner City Blues"42
1972"Mercy Mercy Me"
"No Tears in the End"49
1973"Masterpiece"
1975"Mister Magic"5416
1976"Knucklehead"
1977"Summer Song"57
1978"Do Dat"75
1979"Tell Me About It Now"57
1980"Snake Eyes"88
"Winelight"
1981"Just the Two of Us"2334BPI: Platinum
1982"Be Mine (Tonight)"9213
"Jamming"65
1983"The Best Is Yet to Come"14
1984"Inside Moves"79
1987"Summer Nights"35
1989"Jamaica"
1990"Sacred Kind of Love"21
1992"Love Like This"31
"—" denotes releases that did not chart or were not released in that territory.

External links